[vc_row container=”1″][vc_column][vc_column_text]<\/p>\n

 <\/p>\n

\ud835\udfec\ud835\udfee\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddda\ud835\udde8\ud835\udde1\ud835\uddd7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

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\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nMASTERCLASS<\/strong><\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Nadja Marcin (Wurtzburgo, Alemanha)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Sendo um dos nomes mais expoentes da arte da performance na contemporaneidade, Nadja Marcin compartilhar\u00e1 algumas reflex\u00f5es e procedimentos de seus processos de cria\u00e7\u00e3o. A palestra acompanha tamb\u00e9m a exibi\u00e7\u00e3o de v\u00eddeos de alguns de seus experimentos audiovisuais e museogr\u00e1ficos, como \u201cOphelia\u201d, \u201cPocahontas\u201d, \u201cZero Gravity\u201d e \u201cThe Great Dictator\u201d.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Artista visual, performer e cineasta alem\u00e3. Residiu em Nova York nos \u00faltimos 12 anos. Seu trabalho se desenvolve no campo do g\u00eanero, da hist\u00f3ria, da psicologia e do comportamento humano por meio de uma an\u00e1lise interseccional do feminismo e de teatralidades cinematogr\u00e1ficas. Suas cria\u00e7\u00f5es subvertem representa\u00e7\u00f5es de mulheres de contextos atuais e hist\u00f3ricos para questionar os sistemas de poderes dominantes.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Nadja Marcin (Wurzburg, Germany)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> Masterclass with Nadja Marcin<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> As one of the most prominent names in contemporary performance art, Nadja Marcin will share some reflections and procedures of her creative processes. The lecture also accompanies the exhibition of videos of some of her audiovisual and museographic experiments, such as \u201cOphelia\u201d, \u201cPocahontas, \u201cZero Gravity\u201d and \u201cThe Great Dictator\u201d.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Nadja Marcin (Wurtzburgo, Alemania)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> Masterclass com Nadja Marcin<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Siendo uno de los nombres m\u00e1s exponentes del arte de performance en la contemporaneidad, Nadja Marcin compartir\u00e1 algunas reflexiones y procedimientos de sus procesos de creaci\u00f3n. La ponencia acompa\u00f1a tambi\u00e9n la exhibici\u00f3n de videos de algunos de sus experimentos audiovisuales y museogr\u00e1ficos, como \u201cOphelia\u201d, \u201cPocahontas\u201d, \u201cZero Gravity\u201d y \u201cThe Great Dictator\u201d.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nABERTURA FIDS<\/strong><\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Apresenta\u00e7\u00e3o da segunda edi\u00e7\u00e3o do Festival Internacional Denise Stoklos de Solo Performance com o artista e diretor do FIDS, Davi Giordano. A abertura apresenta um v\u00eddeo de retrospectiva da primeira edi\u00e7\u00e3o, compartilha as novidades dos nomes e atividades da segunda edi\u00e7\u00e3o e abre espa\u00e7o para compartilhar os princ\u00edpios de economia criativa das empresas patrocinadoras do Festival.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Davi Giordano \u00e9 artista, escritor e professor. Doutor em Artes C\u00eanicas pela UFRGS. Mestre em Performance Art pela UNIRIO. Graduado em Dire\u00e7\u00e3o Teatral pela UFRJ e Cinema pela Universidad de Buenos Aires (Argentina). J\u00e1 trabalhou para importantes empresas, produtoras culturais, artistas, universidades e institui\u00e7\u00f5es educacionais. Seus trabalhos art\u00edsticos j\u00e1 foram apresentados no Brasil, na Argentina, no Chile, nos Estados Unidos e na Fran\u00e7a. Trabalha com Denise Stoklos desde 2016 e atualmente \u00e9 diretor do FIDS 2022.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> FIDS 2022 Opening<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Presentation of the second edition of the Denise Stoklos International Festival of Solo Performance with the artist and director of FIDS, Davi Giordano. The opening presents a retrospective video of the first edition, shares the news of the names and activities of the second edition, and opens space to share the creative economy principles of the companies sponsoring the Festival.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Davi Giordano (S\u00e3o Paulo, SP \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> Apertura FIDS 2022<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Presentaci\u00f3n de la segunda edici\u00f3n del Festival Internacional Denise Stoklos de Solo Performance con el artista y director del FIDS, Davi Giordano. La apertura presenta un video de retrospectiva de la primera edici\u00f3n, comparte las novedades de los nombres y actividades de la segunda edici\u00f3n y abre espacio para compartir los principios de la econom\u00eda creativa de las empresas auspiciantes del Festival.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nMESA INAUGURAL<\/strong> – “Arte libert\u00e1ria em tempos sens\u00edveis”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil), Davi Giordano (S\u00e3o Paulo, SP – Brasil), Cristiane Moura (Rio de Janeiro, RJ – Brasil) e Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos e seus convidados (Davi Giordano, Cristiane Moura e Marcos Americano) trazem reflex\u00f5es sobre os sentidos e atravessamentos do Teatro Essencial no campo da cultura brasileira, assim como discutem a import\u00e2ncia de festivais como este para o fomento da linguagem art\u00edstica da solo performance no Brasil e no mundo.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u1d04\u0280\u026as\u1d1b\u026a\u1d00\u0274\u1d07 \u1d0d\u1d0f\u1d1c\u0280\u1d00: <\/strong>Arteterapeuta e mestre em Teatro pela UNIRIO. Tamb\u00e9m atua como atriz e educadora f\u00edsica. Em 1998, realizou a primeira pesquisa de mestrado sobre o Teatro Essencial no Brasil, com a disserta\u00e7\u00e3o “Solid\u00e3o An\u00e1rquica”. Durante anos, trabalhou como assistente de Denise Stoklos em diversas turn\u00eas ao redor do Mundo. Criadora da linha Transformazol, que mistura arte com performances de autoconhecimento.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u1d0d\u1d00\u0280\u1d04\u1d0fs \u1d00\u1d0d\u1d07\u0280\u026a\u1d04\u1d00\u0274\u1d0f: <\/strong>Marcos Americano \u00e9 ator, diretor e autor . Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil), Davi Giordano (S\u00e3o Paulo, SP – Brazil), Cristiane Moura (Rio de Janeiro, RJ – Brazil) and Marcos Americano (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> OPENING TABLE – Inaugural panel “Libertarian art in sensitive times”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos and her guests (Davi Giordano, Cristiane Moura and Marcos Americano) bring reflections on the meanings and crossings of Essential Theatre in the field of Brazilian culture, as well as discuss the importance of festivals like this for the promotion of the solo performance artistic language in Brazil and worldwide.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR \u2013 Brasil), Davi Giordano (S\u00e3o Paulo, SP \u2013 Brasil), Cristiane Moura (Rio de Janeiro, RJ \u2013 Brasil) y Marcos Americano (Rio de Janeiro, RJ \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MESA INAUGURAL – “Arte libertaria en tiempos sensibles”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos y sus invitados (Davi Giordano, Cristiane Moura y Marcos Americano) traen reflexiones sobre los sentidos y atravesamientos del Teatro Esencial en el campo de la cultura brasile\u00f1a, as\u00ed como discuten la importancia de festivales como este para el fomento del lenguaje art\u00edstico del solo performance en Brasil y en el mundo.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Dramaturgias para solo performance com experimentos digitais contempor\u00e2neos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brasil) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Trata-se de uma viv\u00eancia online pr\u00e1tica de cria\u00e7\u00e3o de uma cena solo de at\u00e9 um minuto, a partir de exerc\u00edcios de processos em escritas e improvisa\u00e7\u00f5es. O objetivo \u00e9 estimular que os participantes construam uma estrutura dramat\u00fargica b\u00e1sica, integrada a propostas de movimentos e aplicativos digitais como dispositivos estimuladores para experimentos contempor\u00e2neos.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Wallace Dutra \u00e9 solo performer, disc\u00edpulo de Denise Stoklos desde 2016, e de Luis Louis desde 2020. Formado em dramaturgia pela Funda\u00e7\u00e3o das Artes de S\u00e3o Caetano do Sul e pela Escola Livre de Teatro de Santo Andr\u00e9. Sua dramaturgia “5.5” foi ganhadora do pr\u00eamio internacional Corredor Latinoamericano de Teatro. \u00c9 autor das pe\u00e7as “Cavalo-marinho” (formatura da FASCS), e “Meia-noite. Liberdade” (colet\u00e2nea da ELT).<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brazil) + several<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgy Workshop for solo performance with contemporary digital experiments”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> This is a practical online experience of creating a solo scene of up to one minute, starting from exercises in writing processes and improvisations. The goal is to encourage participants to build a basic dramaturgical structure, integrated with motion proposals and digital applications as stimulating devices for contemporary experiments.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP \u2013 Brasil) + diversos<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dramaturgias para solo performance con experimentos digitales contempor\u00e1neos”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Se trata de una vivencia en l\u00ednea pr\u00e1ctica de creaci\u00f3n de una escena solo de hasta un minuto, desde ejercicios de procesos en escritas e improvisaciones. El objetivo es estimular que los participantes construyan una estructura dramat\u00fargica b\u00e1sica, integrada a propuestas de movimientos y aplicaciones digitales como dispositivos estimulantes para experimentos contempor\u00e1neos.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Experimenta\u00e7\u00e3o e processo”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil) + artistas diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> No solo, o ator Marcos Americano entrela\u00e7a a literatura de Machado de Assis com fragmentos de v\u00eddeos curtos. Os procedimentos de fus\u00e3o de m\u00faltiplas imagens proporcionam camadas de recria\u00e7\u00e3o da literatura, das palavras e das met\u00e1foras propostas pelas obras diversas de Machado de Assis com vi\u00e9s de contemporaneidade.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Marcos Americano \u00e9 ator, diretor e autor . Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Cris Rezende<\/strong> (S\u00e3o Paulo, SP) | “Viol\u00eancia dom\u00e9stica”
\nDavi Giordano <\/strong>(S\u00e3o Paulo, SP) | “The body wants a little bit of sun of Vi\u00f1a del Mar”
\nFernando Lopes <\/strong>(Santo Andr\u00e9, SP) | “A flor da pele”
\nGabriela Flores <\/strong>(S\u00e3o Paulo, SP) | “Selva ecoa Medeia”
\nIsabelle Gusm\u00e3o <\/strong>(Recife, PE) | “Ice Crime – This is an ice cream advert”
\nLiane Roditi<\/strong> (Rio de Janeiro, RJ) | “Fra\u00e7\u00e3o”
\nLucio Lima Jr. <\/strong>(S\u00e3o Paulo, SP) | “Para que poesia em tempos de pandemia?”
\nMarcia Fixel <\/strong>(Rio de Janeiro, RJ) | “Rosa dos Ventos”
\nMarco Antonio Moreira <\/strong>(S\u00e3o Paulo, SP) | “Abra\u00e7o \u00e0 dist\u00e2ncia”
\nMarcos Davi<\/strong> (Bras\u00edlia, DF) | “O p\u00e3o do povo”
\nNina da Costa Reis<\/strong> (Rio de Janeiro, RJ) | “Um Sonho Intenso”
\nOlivia Olivia <\/strong>(S\u00e3o Paulo, SP) | “Cabra”
\nPriscila Queiroz<\/strong> (Fortaleza, CE) | “Varrida”
\nPriscila Rosa <\/strong>(Porto Alegre, RS) | “Corpo Capsular”<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brazil) + diverse artists<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Experimentation and Process”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Solo performance audiovisual experiments by participants from all over Brazil and abroad. The first day of the Exhibition opens with the solo “I am Machado de Assis”, by Marcos Americano.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Marcos Americano (Rio de Janeiro, RJ \u2013 Brasil) + artistas diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Experimentaci\u00f3n y proceso”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El primer d\u00eda de Muestra es abierta con el solo \u201cYo soy Machado de Assis\u201d, de Marcos Americano.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – Abertura da noite de espet\u00e1culo com “Vendo gritos e palavras”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Um recital c\u00eanico que se desdobra atrav\u00e9s do mundo da literatura latinoamericana de Julio Cort\u00e1zar. A atriz l\u00ea textos impressos sob uma estante de partitura, provocando uma mistura de teatralidades com o universo musical. Denise Stoklos performa palavras no ar ecoando os sentidos ampliadores e performativos de uma cena contempor\u00e2nea. Filmagem da apresenta\u00e7\u00e3o no SESC Consola\u00e7\u00e3o de S\u00e3o Paulo, em 2016.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – Opening of the show night with “Selling Screams and Words”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A scenic recital that unfolds through the world of Julio Cort\u00e1zar’s Latin American literature. The actress reads printed texts over a music stand, provoking a mix of theatricalities with the musical universe. Denise Stoklos performs words in the air, echoing the amplifying and performative senses of a contemporary scene. Footage of the presentation at SESC Consola\u00e7\u00e3o in S\u00e3o Paulo, in 2016.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – Apertura de la noche de espect\u00e1culo con “Viendo gritos y palabras”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Un recital esc\u00e9nico que se desarrolla desde el mundo de la literatura latinoamericana de Julio Cort\u00e1zar. La actriz lee textos impresos bajo un estante de partitura, provocando una mezcla de teatralidades con el universo musical. Denise Stoklos performa palabras en el aire repercutiendo los sentidos ampliadores y performativos de una escena contempor\u00e1nea. Grabaci\u00f3n de la presentaci\u00f3n en SESC Consola\u00e7\u00e3o de S\u00e3o Paulo, en 2016.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – “Advogado do diabo” + Conversa de Denise Stoklos e Marcos Americano<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Entrevista coletiva cedida por Denise Stoklos, na d\u00e9cada de 80, para a Televis\u00e3o Educativa. Ao final, uma conversa entre Denise Stoklos e Marcos Americano.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Marcos Americano \u00e9 ator, diretor e autor. Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”. Ama loucamente Denise Stoklos desde o espet\u00e1culo “Orgasmo Adulto”.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil) and Marcos Americano (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – “The Devil’s Advocate” + Conversation between Denise Stoklos and Marcos Americano<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Press conference provided by Denise Stoklos, in the 80s, for \u201cTV Educativa\u201d. In the end, a conversation between Denise Stoklos and Marcos Americano.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR \u2013 Brasil) y Marcos American (Rio de Janeiro, RJ \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> CINE-TEATRO – “Abogado del diablo” + Charla de Denise Stoklos y Marcos Americano<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Entrevista colectiva concedida por Denise Stoklos, en la d\u00e9cada de los 80, para la Televisi\u00f3n Educativa. Al final, una charla entre Denise Stoklos y Marcos Americano.<\/p>\n

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\n

\ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

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\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “Mem\u00f3rias”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos traz algumas reflex\u00f5es sobre o significado da mem\u00f3ria para a cultura. Para isso, ela brinda o p\u00fablico com quatro textos-palestras escritos especialmente para o FIDS: “A necessidade de um Festival”, “Cada novo performer nesse FIDS 2022”, “Eu Espectador” e “Responsabilidade Social”.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Memories”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos brings some reflections on the meaning of memory for culture. Thereunto, she contemplates the audience with four lecture-texts written especially for FIDS: “The need for a Festival”, “Each new performer in FIDS 2022”, “Me, Spectator” and “Social Responsibility”.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Memorias”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos trae algunas reflexiones sobre el significado de la memoria para la cultura. Para eso, ella brinda el p\u00fablico con cuatro textos-ponencias escritos especialmente para el FIDS: \u201cLa necesidad de un Festival\u201d, \u201cCada nuevo performer en este FIDS 2022\u201d, \u201cYo Espectador\u201d y \u201cResponsabilidad Social\u201d.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Tr\u00e2nsitos: Brasil e Portugal”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Tiago Cadete (Brasil-Portugal)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Tiago Cadete \u00e9 entrevistado sobre seus trabalhos que misturam linguagens h\u00edbridas entre as artes visuais e solo performance. O artista apresenta ao p\u00fablico an\u00e1lises de algumas de suas apresenta\u00e7\u00f5es realizadas em diversos pa\u00edses da Am\u00e9rica Latina e Europa. Em especial, ser\u00e3o abordadas reflex\u00f5es de seus \u00faltimos trabalhos, como \u201cCortejo\u201d (2022), \u201cBrasa\u201d (2021), \u201cFiume\u201d e “Cicerone” (2010).<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Seu trabalho transita nas fronteiras entre artes performativas e visuais. Doutorando em artes visuais EBA-UFRJ, onde \u00e9 mestre pela mesma institui\u00e7\u00e3o. Foi bolseiro da GDA-Gest\u00e3o dos Direitos dos Artistas na P\u00f3s Gradua\u00e7\u00e3o em Sistema Laban\/Bartenieff – Faculdade de dan\u00e7a Angel Vianna\/Laban. \u00c9 licenciado em Teatro pela Escola Superior de Teatro e Cinema. Transita entre Brasil e Portugal. Seus trabalhos j\u00e1 foram apresentados em diversos pa\u00edses, feiras de artes, museus e bienais.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Tiago Cadete (Brazil-Portugal)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Transits: Brazil and Portugal”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Tiago Cadete is interviewed regarding his works that mingle hybrid languages between visual arts and solo performance. The artist presents to the public an analysis of some of his presentations held in several Latin America and Europe countries. Will mainly be addressed reflections from his latest works, such as \u201cCortege\u201d (2022), \u201cGleed\u201d (2021), \u201cMuvie\u201d, and \u201cCicerone\u201d (2010).<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Tiago Cadete (Brasil-Portugal)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Tr\u00e1nsitos: Brasil y Portugal”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Tiago Cadete es entrevistado sobre sus trabajos que mezclan lenguajes h\u00edbridos entre artes visuales y solo performance. El artista presenta al p\u00fablico an\u00e1lisis de algunas de sus presentaciones realizadas en diversos pa\u00edses de Am\u00e9rica Latina y Europa. En especial, ser\u00e1n tomadas reflexiones de sus \u00faltimos trabajos, como \u201cCortejo\u201d (2022), \u201cBrasa\u201d (2021), \u201cFiume\u201d y \u201cCicerone\u201d (2010).<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Cria\u00e7\u00e3o dramat\u00fargica por meio de colagem e est\u00edmulos criativos m\u00faltiplos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Teresa Costalima (Salvador, Bahia – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Os participantes s\u00e3o estimulados em sua criatividade a partir de jogos e exerc\u00edcios que ativam mem\u00f3rias afetivas por meio de experi\u00eancias sensoriais. Com isso, todos s\u00e3o convidados a criar uma dramaturgia por meios de procedimentos contempor\u00e2neos de colagens. Est\u00edmulos visuais, livre associa\u00e7\u00e3o de ideias e escrita criativa s\u00e3o alguns dos caminhos que se misturam e geram pot\u00eancia de fric\u00e7\u00f5es c\u00eanicas.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Teresa Costalima \u00e9 atriz, dramaturga e diretora teatral formada pela Escola de Teatro da UFBA. Dirigiu por 20 anos o Sitorne Est\u00fadio de Artes C\u00eanicas, escola especializada em forma\u00e7\u00e3o de atores, em Salvador \u2013 BA. Foi coordenadora do Projeto RETRATE – Interior com atua\u00e7\u00e3o em 24 munic\u00edpios no interior do estado. Nos \u00faltimos anos tem se dedicado a projetos para a forma\u00e7\u00e3o de plateias, como \u201cA\u00e7\u00e3o-Forma\u00e7\u00e3o\u201d e \u201cBairro-arte\u201d.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Teresa Costalima (Salvador, Bahia – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgical Creation Workshop through collage and multiple creative stimuli”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Participants are stimulated in their creativity through games and exercises that activate affective memories through sensory experiences. With this, everyone is invited to create a dramaturgy through contemporary collage procedures. Visual stimuli, free association of ideas and creative writing are some of the ways that mix and generate potency of scenic frictions.<\/p>\n

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[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Teresa Costalima (Salvador, Bahia – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Creaci\u00f3n dramat\u00fargica por medio de pegado y est\u00edmulos creativos m\u00faltiples.”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Los participantes son estimulados en su creatividad desde juegos y ejercicios que activan memorias afectivas por medio de experiencias sensoriales. Con eso, todos son invitados a crear una dramaturgia por medio de procesos contempor\u00e1neos de pegado. Est\u00edmulos visuales, libre asociaci\u00f3n de ideas y escrita creativa son algunos caminos que se mezclan y generan potencia de fricciones esc\u00e9nicas.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Demos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luca Lima (Bras\u00edlia, DF – Brasil) + artistas diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O segundo dia da Mostra \u00e9 aberto com o solo “Demos”, de Luca Lima. “Demos” \u00e9 uma fala-fluxo, uma fala-rio, que inunda, encharca, se estreita e se expande e des\u00e1gua, por fim. Um corpo inaugura essa fala atormentado por uma sociedade \u00e0 beira do colapso. Esse discurso, por assim dizer, n\u00e3o pretende responder a nada mas, como os peixes, mergulhar fundo quando as correntezas se mostrarem perigosas.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Luca Lima \u00e9 solo performer que investiga as inquieta\u00e7\u00f5es po\u00e9ticas por meio da cena. \u00c9 um estudioso da pr\u00e1xis do Teatro Essencial desde adolescente e estudante de gradua\u00e7\u00e3o em Artes C\u00eanicas pela Universidade de Bras\u00edlia (UnB). Tamb\u00e9m encontrou na proposta da M\u00edmica Total de Lu\u00eds Louis espa\u00e7o para desenvolver sua cria\u00e7\u00e3o. Seu espet\u00e1culo \u201cDemos\u201d marca o in\u00edcio de sua pesquisa em solo performance e j\u00e1 foi apresentado em diferentes vers\u00f5es e formatos desde 2018. Para o FIDS, o performer aposta numa nova vers\u00e3o do trabalho, mais concisa e densa.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Carol Cony<\/strong> (Rio de Janeiro, RJ) | “Desmoronamento da vontade” <\/span>
\nFelipe Cremonini<\/strong> (Sant’ana do Livramento, RS) | “Regi\u00e3o desconhecida” <\/span>
\nFernanda Paix\u00e3o<\/strong> (Rio de Janeiro, RJ) | “Just married” <\/span>
\nGean Alves<\/strong> (Rio de Janeiro, RJ) | “Linha Vermelha” <\/span>
\nLuci Savassa<\/strong> (S\u00e3o Paulo, SP) | “Lim\u00edtrofe” <\/span>
\nMarco Antonio Moreira<\/strong> (S\u00e3o Paulo, SP) | “Antes solo do que mal interpretado” <\/span>
\nMingo<\/strong> (Bras\u00edlia, DF) | “Beijo da Lua” <\/span>
\nPriscila Rosa<\/strong> (Porto Alegre, RS) | “Por entre n\u00f3s”<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Luca Lima (Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Experimentation and Process”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The second day of the Exhibition opens with the solo “Demos”, by Luca Lima. “Demos” is a flow-speech, a river-speech, which floods, soaks, narrows, and expands and, finally, debouches. A body inaugurates this speech tormented by a society on the verge of collapse. The discourse, so to speak, is not intended to respond to anything but, like fish, to dive deep when the currents prove dangerous.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luca Lima (Bras\u00edlia, DF – Brasil) + artistas diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Experimentaci\u00f3n y proceso”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El segundo d\u00eda de la Muestra es abierto con el solo \u201cDemos\u201d, de Luca Lima. “Demos” es un discurso-flujo, un discurso-r\u00edo, que inunda, moja, se encoge y se expande y desagua, por fin. Un cuerpo inaugura ese discurso atormentado por una sociedad bajo colapso. Ese discurso, por as\u00ed decir, no pretende responder a nada, pero, como peces, bucean fondo cuando las corrientes se muestran peligrosas.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Notas do campo” (Notes from the field) com coment\u00e1rios de Denise Stoklos<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> ‘NOTAS DO CAMPO’, de Anna Deavere Smith, \u00e9 um solo performance sobre o racismo presente no sistema educacional norte-americano. A reconhecida atriz de teatro, cinema e televis\u00e3o encena m\u00faltiplos personagens que s\u00e3o violentadores e vulner\u00e1veis de um sistema din\u00e2mico de opress\u00e3o diante das diferen\u00e7as raciais existentes nos Estados Unidos.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Notes from the field” with commentary by Denise Stoklos<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>‘NOTES DO FIELD’, by Anna Deavere Smith, is a solo performance regarding the racism present in the North American educational system. The renowned actress in theater, film and television, stages multiple characters who are violent and vulnerable of a dynamic oppression system towards the racial differences existing in the United States.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Notas del campo” (Notes from the field) con comentarios de Denise Stoklos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> “NOTAS DEL CAMPO” de Anna Deavere Smith, es un solo performance sobre el racismo presente en el sistema educacional norte-americano. La reconocida actriz de teatro, cine y televisi\u00f3n escenifica m\u00faltiples personajes que son violadores y vulnerables de un sistema din\u00e1mico de opresi\u00f3n delante de las diferencias raciales existentes en los Estados Unidos.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – “Provoca\u00e7\u00f5es” + Conversa de Denise Stoklos e Clarisse Abujamra<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Clarisse Abujamra (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Exibi\u00e7\u00e3o da entrevista que o diretor de teatro Ant\u00f4nio Abujamra realizou com Denise Stoklos no Programa Provoca\u00e7\u00f5es da Tv Cultura (em 2016). Ao final, uma conversa entre Denise Stoklos e a importante atriz e bailarina Clarisse Abujamra.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Atriz e core\u00f3grafa de pe\u00e7as teatrais, Clarisse trabalhou em in\u00fameros espet\u00e1culos de Antonio Abujamra. Segue sua carreira tamb\u00e9m como tradutora, produtora e diretora de teatro. J\u00e1 recebeu diversos pr\u00eamios como atriz tanto no Brasil como tamb\u00e9m na Europa e Am\u00e9rica Latina. Possui 54 anos de carreira profissional.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil) e Clarisse Abujamra (S\u00e3o Paulo, SP – Brazcil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – “Provocations” + Conversation between Denise Stoklos and Clarisse Abujamra<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Screening of the interview that theater director Ant\u00f4nio Abujamra conducted with Denise Stoklos on TV Cultura’s “Provoca\u00e7\u00f5es” program (in 2016). In the end, a conversation between Denise Stoklos and the major actress and dancer, Clarisse Abujamra.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Clarisse Abujamra (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> CINE-TEATRO – “Provocaciones” + Charla de Denise Stoklos y Clarisse Abujamra<\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibici\u00f3n de entrevista que el director de teatro Ant\u00f4nio Abujamra realiz\u00f3 con Denise Stoklos en el Programa Provocaciones de la TV Cultura (en 2016). Al final, una charla entre Denise Stoklos y la importante actriz y bailarina Clarisse Abujamra.<\/p>\n

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\n

\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

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\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “Ir a ti: ra\u00edzes” com participa\u00e7\u00e3o especial de Denise Stoklos<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luiza Fillus (Irati, PR – Brasil), Edson Santos (Irati, PR – Brasil) e Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos realiza uma conversa exclusiva com Luiza Fillus e Edson Santos. Ambos s\u00e3o os maiores respons\u00e1veis pelas produ\u00e7\u00f5es culturais de Denise Stoklos em sua cidade natal e no estado do Paran\u00e1. Foram tamb\u00e9m fomentadores do Centro Cultural Denise Stoklos e do Acervo do Teatro Essencial, que se manteve durante muitos anos na UNICENTRO, em Irati. Esta conversa brinda o p\u00fablico com mem\u00f3rias e pot\u00eancias afetivas de Denise Stoklos e sua cidade natal.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u029f\u1d1c\u026a\u1d22\u1d00 \u0493\u026a\u029f\u029f\u1d1cs:<\/strong> Possui gradua\u00e7\u00e3o e mestrado em Letras pela Universidade Cat\u00f3lica do Paran\u00e1. Faz parte da Academia de Letras e Artes de Irati desde sua funda\u00e7\u00e3o. Durante muitos anos, foi Professora da UNICENTRO. \u00c9 uma das maiores respons\u00e1veis pelo setor cultural na cidade de Irati e regi\u00f5es ao redor. Criadora e mantenedora do Sebo Centen\u00e1rio.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u1d07\u1d05s\u1d0f\u0274 s\u1d00\u0274\u1d1b\u1d0fs:<\/strong> Professor Associado da Universidade Estadual do Centro-Oeste, Unicentro. Tem experi\u00eancia na \u00e1rea de Letras, com \u00eanfase em L\u00edngua e Literatura Portuguesa, atuando principalmente nos seguintes temas: literatura portuguesa, leitura do texto liter\u00e1rio e hist\u00f3ria das ideias lingu\u00edsticas e liter\u00e1rias no Brasil. Dedica-se \u00e0 pesquisa da dramaturgia lusa do s\u00e9culo XIX. Produz eventos liter\u00e1rios e culturais na cidade de Irati.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Luiza Fillus (Irati, PR – Brazil), Edson Santos (Irati, PR – Brazil) and Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Go to you: roots” with Denise Stoklos’ special participation<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos has an exclusive conversation with Luiza Fillus and Edson Santos. Both are the major responsible for Denise Stoklos’ cultural productions in her hometown and in the state of Paran\u00e1. They were also promoters of the Denise Stoklos Cultural Center and the Essential Theater Collection, which remained for many years at UNICENTRO, in Irati. This conversation provides the audience with memories and affective powers of Denise Stoklos and her hometown.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luiza Fillus (Irati, PR \u2013 Brasil), Edson Santos (Irati, PR \u2013 Brasil), y Denise Stoklos (Irati, PR \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Ir a ti: ra\u00edces” con la participaci\u00f3n especial de Denise Stoklos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos realiza una charla exclusiva con Luiza Fillus y Edson Santos. Ambos son los mayores responsables por producciones culturales de Denise Stoklos en su ciudad natal y en el estado de Paran\u00e1. Fueron tambi\u00e9n fomentadores del Centro Cultural Denise Stoklos y del Acervo del Teatro Esencial, que se mantuvo durante muchos a\u00f1os en la UNICENTRO, en Irati. Esta charla brinda al p\u00fablico memorias y potencias efectivas de Denise Stoklos y su ciudad natal.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Performances em tr\u00e2nsitos (reais e online) nas multi e transdisciplinaridades entre artes e ci\u00eancias sociais”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Omi Ariel (Chile)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Omi Ariel, expoente da nova gera\u00e7\u00e3o de artistas experimentais do Chile, traz ao p\u00fablico algumas reflex\u00f5es sobre seu trabalho de videoarte e solo performance \u201cHallazgo\u201d. O p\u00fablico \u00e9 convidado a refletir algumas linguagens do cruzamento multi e transdisciplinar entre artes e ci\u00eancias sociais para performances desenvolvidas para redes sociais. A artista questiona os bin\u00f4mios colonialismo\/neocolonialismo, o \u201cproblema do \u00ednd\u00edgena\u201d e omiss\u00e3o da viol\u00eancia.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Solo performer e antrop\u00f3loga e cientista social da Universidad de Concepci\u00f3n (Chile). Bailarina de dan\u00e7a contempor\u00e2nea, participa de espet\u00e1culos e ministra oficinas no Espacio de Arte Nimiku. Tamb\u00e9m trabalha como pesquisadora de linguagem corporal e fez parte da equipe da plataforma DanzaSur como gestora cultural.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Omi Ariel (Chile)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Transits: Brazil and Portugal”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Omi Ariel, an exponent of the new generation of Chile\u00b4s experimental artists, brings to the public some reflections on her video artwork and solo performance \u201cHallazgo\u201d (\u201cDiscovery\u201d). The public is invited to reflect on some languages of the multi and transdisciplinary intersection between arts and social sciences into performances developed for social media. The artist questions the colonialism\/neocolonialism binomials, the \u201cindigenous problem\u201d and the omission of violence.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Omi Ariel (Chile)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Performances en tr\u00e1nsitos (reales y online) en las multi y transdisciplinaridades entre artes y ciencias sociales”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Omi Ariel, exponente de la nueva generaci\u00f3n de artistas experimentales de Chile, trae al p\u00fablico algunas reflexiones sobre su trabajo de videoarte y solo performance \u201cHallazgo\u201d. El p\u00fablico es invitado a reflexionar algunos lenguajes del cruzamiento multi y transdisciplinar entre artes y ciencias sociales para performances creadas en redes sociales. Ariel cuestiona los binomios colonialismo\/neocolonialismo, el \u201cproblema ind\u00edgena\u201d y omisi\u00f3n de violencia.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Solo, Sim! Mon\u00f3logo, N\u00e3o.”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Rita Clemente (Belo Horizonte, MG – Brasil)
\n<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> “Solo, Sim! Mon\u00f3logo, N\u00e3o.” tem suas bases nos processos criativos de Rita Clemente, que, a partir de suas experi\u00eancias como atriz, diretora e pesquisadora, tem desenvolvido ferramentas pr\u00e1ticas e te\u00f3ricas acerca da cria\u00e7\u00e3o e composi\u00e7\u00e3o de obras c\u00eanicas. Os participantes s\u00e3o convidados a pesquisar o deslocamento de uma narrativa direta e monol\u00f3gica em dire\u00e7\u00e3o a um constru\u00e7\u00e3o de um solo que admita interlocu\u00e7\u00f5es expandidas e dial\u00f3gicas.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Atriz, diretora e pesquisadora mineira, com vasta experi\u00eancia em teatro e incurs\u00f5es em televis\u00e3o e cinema, sendo reconhecida por sua pesquisa acerca das possibilidades de di\u00e1logo entre teatro, m\u00fasica, cinema, artes pl\u00e1sticas e dramaturgia de cena. Premiada em Minas, SP e Rio como diretora, atriz e figurinista. Diretora art\u00edstica da Clementtina Plataforma de Cria\u00e7\u00e3o, orienta artistas da cena em suas montagens, desenvolvendo , no seu pr\u00f3prio est\u00fadio, processos criativos solo.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 15 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Rita Clemente (Belo Horizonte, MG – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Solo, Yes, Monologue, No”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> “Solo, Yes! Monologue, N\u00e3o” is based on the creative processes of Rita Clemente, who, based on her experiences as an actress, director, and researcher, has developed practical and theoretical tools regarding the creation and composition of scenic works. Participants are invited to research the displacement of a direct and monologic narrative towards the construction of a solo that admits expanded and dialogic interlocutions.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Rita Clemente (Belo Horizonte, MG – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “\u00a1S\u00f3lo, S\u00ed! Mon\u00f3logo, No”.<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> \u201c\u00a1S\u00f3lo, S\u00ed! Mon\u00f3logo, No\u201d tiene sus bases en los procesos creativos de Rita Clemente, que, desde sus experiencias como actriz, directora e investigadora, ha desarrollado herramientas pr\u00e1cticas y te\u00f3ricas sobre la creaci\u00f3n y composici\u00f3n de obras esc\u00e9nicas. Los participantes son invitados a investigar sobre el desplazamiento de una narrativa directa y monol\u00f3gica en direcci\u00f3n a una construcci\u00f3n de un solo que admita interlocuciones expandidas y dial\u00f3gicas.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “O inferno \u00e9 um espelho da borda laranja”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wander B. (Barra Bonita, SP – Brasil) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O terceiro dia da Mostra \u00e9 aberto com o solo “O inferno \u00e9 um espelho da borda laranja”, de Wander B. Uma pessoa que n\u00e3o dorme, dentro de uma madrugada sem fim, vive sua jornada em dire\u00e7\u00e3o ao inferno \u2014 e o inferno (por incr\u00edvel que pare\u00e7a!) n\u00e3o s\u00e3o os outros, como pensava Sartre, mas um velho espelho da borda laranja.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Wander B. \u00e9 um artista da palavra, da m\u00fasica e do gesto. Seus trabalhos e pe\u00e7as e de solo performance transitam entre as linguagens do teatro, do cinema, da performance art, da m\u00fasica e da literatura. Desenvolve trabalhos em espa\u00e7os p\u00fablicos, adaptando suas cria\u00e7\u00f5es para formatos variados.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Carol Gigante<\/strong> (Volta Redonda, RJ) | “Aperte F5: saia da janela” <\/span>
\nJos\u00e9 Elias<\/strong> (Ass\u00fa, RN) | “Homenagem aos Professores” <\/span>
\nMarcia Fixel<\/strong> (Rio de Janeiro, RJ) | “A mulher \u00e1rvore” <\/span>
\nMingo<\/strong> (Bras\u00edlia, DF) | “Plano de Voo” <\/span>
\nNina da Costa Reis<\/strong> (Rio de Janeiro, RJ) | “G\u00eanesis 1 Eva”<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wander B. (Barra Bonita, SP – Brazil) + various<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Hell is a mirror with an orange edge”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The third day of the Exhibition opens with the solo “Hell is a mirror of the orange edge”, by Wander B. A person who does not sleep, within an endless dawn, lives his journey towards hell \u2014 and hell (as incredible as it may seem!) is not other people, as Sartre thought, but an old mirror with an orange edge.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wander B. (Barra Bonita, SP \u2013 Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “El Infierno es un Espejo de Borde Naranja”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El tercer d\u00eda de la Muestra es abierto con el solo \u201cEl infierno es un espejo de borde naranja\u201d, de Wander B. Una persona que no duerme, dentro de una madrugada sin fin, vive su jornada en direcci\u00f3n al infierno \u2013 y el infierno (\u00a1por m\u00e1s incre\u00edble que parezca!) no son los otros, como pensaba Sartre, pero un viejo espejo de borde naranja.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Quixeramobim”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> O s\u00e9timo solo de Ricardo Castro tem como objetivo visitar a linha t\u00eanue que separa, e por vezes mescla, realidade e fic\u00e7\u00e3o, a partir da hist\u00f3ria de amor de um pai por uma filha, cuja vida \u00e9 povoada por ic\u00f4nicas personalidades nordestinas. Baseada em not\u00edcia ver\u00eddica publicada num jornal pernambucano, e usando da po\u00e9tica dos cord\u00e9is, Ricardo reescreve a not\u00edcia, dando \u00e0 protagonista um destino mais humano.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Solo performer e fundador da Companhia de um Homem S\u00f3. Trabalhou com grandes artistas do teatro baiano. Integrou os grupos Teatro do Ornitorrinco e XPTO. Seu solo R$1,99 j\u00e1 foi apresentado em diversas temporadas por cidades como Rio de Janeiro, S\u00e3o Paulo, Curitiba, Belo Horizonte, e Buenos Aires, dentre outras. De 1999 at\u00e9 ent\u00e3o, Ricardo escreveu, dirigiu e atuou nos espet\u00e1culos solo 2, Temporal, Quem souber morre, Sexo, drogas e ax\u00e9 music, Pelo humor de Deus e Quixeramobim.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 14 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Ricardo Castro (Salvador, BA – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Quixeramobim”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>Ricardo Castro’s seventh solo aims to visit the thin line that separates, and sometimes mixes, reality and fiction, based on the love story of a father for a daughter, whose life is populated by iconic Northeastern Brazilian personalities. Based on a true story published in a Pernambuco newspaper, and using the poetics of the \u201ccord\u00e9is\u201d (twines), Ricardo rewrites the report, giving the protagonist a more human destiny.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong>Ricardo Castro (Salvador, BA – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Quixeramobim”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El s\u00e9ptimo solo de Ricardo Castro tiene como objetivo visitar la l\u00ednea tenue que separa, y a veces mezcla, realidad y ficci\u00f3n, desde la historia de amor de un padre por su hija, cuya vida es poblada por ic\u00f3nicas personalidades del nordeste de Brasil. Basadas en noticias verdaderas publicadas en un peri\u00f3dico pernambucano, y usando la po\u00e9tica de los cordeles, Ricardo reescribe la noticia, dando a la protagonista un destino m\u00e1s humano.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – “Habeas Corpus” (dire\u00e7\u00e3o de Antonio Abujamra em 1983) + Conversa de Denise Stoklos e Ana Carolina Oliviero<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Ant\u00f4nio Abujamra (Brasil) – in memorian -, Denise Stoklos (Irati, PR – Brasil) e Ana Carolina Oliviero (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Exibi\u00e7\u00e3o de “Habeas Corpus”, com dire\u00e7\u00e3o de Ant\u00f4nio Abujamra, em programa da Tv Cultura em 1983. Ao final, uma conversa entre Denise Stoklos e Ana Carolina Oliviero, que foi uma das participantes do experimento em quest\u00e3o na \u00e9poca.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Formada em filosofia pela USP, Ana come\u00e7ou a esculpir em 2001. Foi disc\u00edpula do mestre Jorge Vargas no MUBE. Em 2002 ganhou um pr\u00eamio na Maratona Cultural, promovida pela Associa\u00e7\u00e3o de Clubes Esportivos e S\u00f3cio Culturais de S\u00e3o Paulo, concorrendo pelo Jockey Club. Em 2003 ganhou o concurso do Espa\u00e7o Cultural do Museu Cerqueira C\u00e9sar de S\u00e3o Carlos, onde exp\u00f4s em 2003. Ana Carolina segue esculpindo at\u00e9 os dias atuais.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Antonio Abujamra (Brazil) – in memorian -, Denise Stoklos (Irati, PR – Brazil) and Ana Carolina Oliviero (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – “Habeas Corpus” (directed by Antonio Abujamra in 1983) + Conversation between Denise Stoklos and Ana Carolina Oliviero<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibition of “Habeas Corpus”, directed by Ant\u00f4nio Abujamra, on a TV Cultura show in 1983. In the end, a conversation between Denise Stoklos and Ana Carolina Oliviero, who was one of the participants in the referred experiment at the time.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Antonio Abujamra (Brasil \u2013 in memorian -, Denise Stoklos (Irati, PR \u2013 Brasil) y Ana Carolina Oliviero (S\u00e3o Paulo, SP \u2013 Brasil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> CINE-TEATRO – “Habeas Corpus” (direcci\u00f3n de Ant\u00f4nio Abujamra en 1983) + Charla de Denise Stoklos y Ana Carolina Oliviero<\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibici\u00f3n de \u201cHabeas Corpus\u201d, con direcci\u00f3n de Ant\u00f4nio Abujamra, en programa de la Tv Cultura en 1983. Al final, una charla entre Denise Stoklos y Ana Carolina Oliviero, que fue una de las participantes del experimento en cuesti\u00f3n en la \u00e9poca.<\/p>\n

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\n

\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

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\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “Solo f\u00e9rtil, um m\u00e9todo poss\u00edvel” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A palestra apresenta o m\u00e9todo Solo F\u00e9rtil, criado por Ricardo Castro, no qual o solo performer escolhe, desenvolve, confecciona e apresenta tudo o que existe no espet\u00e1culo: texto, dire\u00e7\u00e3o, atua\u00e7\u00e3o, cen\u00e1rio, ilumina\u00e7\u00e3o, figurino, maquiagem, sonoplastia e produ\u00e7\u00e3o. Desde o tema a ser tratado at\u00e9 a maneira como ser\u00e1 divulgado. Ricardo tamb\u00e9m trar\u00e1 algumas experi\u00eancias vividas durante a cria\u00e7\u00e3o dos seus sete espet\u00e1culos solo.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Solo performer e fundador da Companhia de um Homem S\u00f3. Trabalhou com grandes artistas do teatro baiano. Integrou os grupos Teatro do Ornitorrinco e XPTO. Seu solo R$1,99 j\u00e1 foi apresentado em diversas temporadas por cidades como Rio de Janeiro, S\u00e3o Paulo, Curitiba, Belo Horizonte, e Buenos Aires, dentre outras. De 1999 at\u00e9 ent\u00e3o, Ricardo escreveu, dirigiu e atuou nos espet\u00e1culos solo 2, Temporal, Quem souber morre, Sexo, drogas e ax\u00e9 music, Pelo humor de Deus e Quixeramobim.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Ricardo Castro (Salvador, BA – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Fertile Soil, a possible method”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The lecture presents the Fertile Soil method, created by Ricardo Castro, in which the solo performer chooses, develops, builds, and presents everything that exists in the show: text, direction, acting, scenery, lighting, costumes, makeup, sound design, and production. From the topic to be addressed to the way it will be publicized. Ricardo will also bring some experiences lived during the creation of his seven solo shows.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Solo-F\u00e9rtil, un m\u00e9todo posible”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La ponencia presenta el m\u00e9todo Solo-F\u00e9rtil, creado por Ricardo Castro, en el cual el solo performer elige, desarrolla, confecciona y presenta todo lo que existe en el espect\u00e1culo: texto, direcci\u00f3n, actuaci\u00f3n, escenario, iluminaci\u00f3n, vestuario, maquillaje, sonido y producci\u00f3n. Desde el tema que se tratar\u00e1 hasta la manera como ser\u00e1 promocionado. Ricardo tambi\u00e9n traer\u00e1 algunas experiencias vividas durante la creaci\u00f3n de sus siete espect\u00e1culos solo.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Arquivos digitais e mem\u00f3rias de cena”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A palestra aborda possibilidades de registro e cria\u00e7\u00e3o de mem\u00f3rias da cena contempor\u00e2nea, trazendo como exemplo o Projeto Carne Digital: Arquivo Eva Schul. Ser\u00e3o abordadas quest\u00f5es relativas \u00e0 documenta\u00e7\u00e3o, repert\u00f3rio, corpo como arquivo, uso das tecnologias e novos modos de registro do vivido. A artista e pesquisadora estimular\u00e1 ideias de como artistas de solo performance podem documentar seus trabalhos desdobrando po\u00e9ticas e experimentos audiovisuais em seus repert\u00f3rios.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Artista e professora de dan\u00e7a na gradua\u00e7\u00e3o e p\u00f3s-gradua\u00e7\u00e3o da Universidade Federal do Rio Grande do Sul. Professor Visitante na Coventry University\/Centre for Dance Research (C-DaRE\/Reino Unido). Foi Editora-Chefe da Revista Cena e atualmente \u00e9 Editora de se\u00e7\u00e3o da Movimento, Revista de Educa\u00e7\u00e3o F\u00edsica da UFRGS. Coordena o projeto Carne Digital: Arquivo Eva Schul, que recebeu o Pr\u00eamio A\u00e7orianos de Dan\u00e7a 2021 na categoria Mem\u00f3ria. Bailarina da Eduardo Severino Cia de Dan\u00e7a.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Digital files and scene memories”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The lecture addresses possibilities for registering and creating memories of the contemporary scene, taking as an example the \u201cDigital Meet Project: Eva Schul Archive\u201d. Issues related to documentation, repertoire, the body as an archive, the use of technologies, and new ways of registering experiences will be addressed. The artist and researcher will stimulate ideas on how solo performance artists can document their work by unfolding poetics and audiovisual experiments in their repertoires.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Archivos digitales y memorias de escena”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La ponencia trata posibilidades de registro y creaci\u00f3n de memorias de la escena contempor\u00e1nea, trayendo como ejemplo el Proyecto Carne Digital: Archivo Eva Schul. Ser\u00e1n tratadas cuestiones relativas a la documentaci\u00f3n, repertorio, cuerpo como archivo, uso de las tecnolog\u00edas y nuevos modos de registro vivido. La artista e investigadora estimular\u00e1 ideas de c\u00f3mo artistas de solo performance pueden documentar sus trabajos desplegando po\u00e9ticas y experimentos audiovisuales en sus repertorios.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Dramaturgia, performance e t\u00e9cnicas para um corpo-dramat\u00fargico”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Como traduzir, escrever ou trans\/crever corpo em dramaturgia? A oficina estimula o exerc\u00edcio de t\u00e9cnicas dramat\u00fargicas e pr\u00e1ticas metodol\u00f3gicas r\u00e1pidas para a cria\u00e7\u00e3o de um texto teatral perform\u00e1tico. O conceito de texto aqui est\u00e1 associado ao corpo e suas m\u00faltiplas formas de express\u00e3o e n\u00e3o necessariamente \u00e0 palavra e suas formas de escrita. Os participantes vivenciar\u00e3o processos de depoimento pessoal e escrita autom\u00e1tica como impulsionadores criativos da autoperformance.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Morgana Ol\u00edvia Manfrin \u00e9 doutoranda em Artes C\u00eanicas pela USP. \u00c9 dramaturga, performer, atriz, diretora, arte educadora e pedagoga de g\u00eanero. \u00c9 formada em Artes C\u00eanicas e Interpreta\u00e7\u00e3o Teatral pela UnB e Dire\u00e7\u00e3o Teatral pela UFBA. Desenvolve a pesquisa \u201cPr\u00e1xis Queer da cena: Percurso de corpos travestig\u00eaneres e trans n\u00e3o Bin\u00e1rios nas artes c\u00eanicas contempor\u00e2neas brasileiras\u201d. Possui uma s\u00e9rie de obras solos autobiogr\u00e1ficas e performativas.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgy, performance, and techniques for a dramaturgical body”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> How to translate, write, or trans\/scribe body into dramaturgy? The workshop encourages the exercise of dramaturgical techniques and quick methodological practices for the creation of a performative theatrical text. The concept of text here is associated with the body and its multiple forms of expression and not necessarily with the word and its forms of writing. Participants will experience processes of personal testimony and automatic writing as creative drivers of self-performance.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dramaturgia, performance y t\u00e9cnicas para un cuerpo-dramat\u00fargico”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> C\u00f3mo traducir, escribir o trans\/cribir cuerpo en dramaturgia? El taller estimula el ejercicio de t\u00e9cnicas dramat\u00fargicas y pr\u00e1cticas metodol\u00f3gicas r\u00e1pidas para la creaci\u00f3n de un texto teatral perform\u00e1tico. El concepto de texto aqu\u00ed est\u00e1 asociado al cuerpo y sus m\u00faltiples formas de expresi\u00f3n y no necesariamente a la palabra y sus formas de escrita. Los participantes vivir\u00e1n procesos de testimonio personal y escrita autom\u00e1tica como impulsores creativos del autoperformance.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Comit\u00ea do sonho – [work in progress love de \u2018(seja realista) pe\u00e7a o imposs\u00edvel\u2019]”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brasil) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O quarto dia da Mostra \u00e9 aberto com o solo “Comit\u00ea do sonho – [work in progress love de \u2018(seja realista) pe\u00e7a o imposs\u00edvel\u2019]”, de Wallace Dutra.
\nInspirada no conceito teatro de fric\u00e7\u00e3o, o experimento tensiona as rela\u00e7\u00f5es entre dramaturgia e anarquia, teatro f\u00edsico e tela, pele e proje\u00e7\u00e3o, dentre outros. A tem\u00e1tica faz parte da pesquisa do artista sobre movimentos contempor\u00e2neos e identit\u00e1rios – dos beatniks, hippies e tropicalistas, aos punks e clubbers. A cena se expande na atmosfera da contracultura de 1968 onde sonho e se realidade se misturam num processo criativo.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Wallace Dutra \u00e9 solo performer, disc\u00edpulo de Denise Stoklos desde 2016, e de Luis Louis desde 2020. Formado em dramaturgia pela Funda\u00e7\u00e3o das Artes de S\u00e3o Caetano do Sul e pela Escola Livre de Teatro de Santo Andr\u00e9. Sua dramaturgia “5.5” foi ganhadora do pr\u00eamio internacional Corredor Latinoamericano de Teatro. \u00c9 autor das pe\u00e7as “Cavalo-marinho” (formatura da FASCS), e “Meia-noite. Liberdade” (colet\u00e2nea da ELT).<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Cleide Vilela<\/strong> (Bras\u00edlia, DF) | “Pode vir, estou te esperando” <\/span>
\nMaria Lucas<\/strong> (Rio de Janeiro, RJ) | “Nina”<\/span>
\nMirelle Freitas<\/strong> (Fortaleza, CE) | “Fronteiras”<\/span>
\nMonalisa Silva<\/strong> (S\u00e3o Paulo, SP) | “Os Silva da Am\u00e9rica do Sul”<\/span>
\nTina Andriguetti<\/strong> (Caxias, RS) | “Aos peda\u00e7os”<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Dream Committee – [work in progress love of ‘(be realistic) ask for the impossible’]”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The fourth day of the Exhibition opens with the solo “Dream Committee – [work in progress love of ‘(be realistic) ask for the impossible’]”, by Wallace Dutra. Inspired by the concept of the theater of friction, the experiment stresses the relationship between dramaturgy and anarchy, physical theater and screen, skin and projection, among others. The theme is part of the artist’s research on contemporary and identity movements – from beatniks, hippies, and tropicalists, to punks and clubbers. The scene expands in the atmosphere of the 1968 counterculture where dream and reality are mixed in a creative process.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP \u2013 Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Comit\u00e9 del sue\u00f1o \u2013 [work in progress love de \u2018(sea realista) pida el imposible\u2019]”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El cuarto d\u00eda de la Muestra es abierto con el solo \u201cComit\u00e9 del sue\u00f1o \u2013 [work in progress love de \u2018(sea realista) pida el imposible\u2019]\u201d, de Wallace Dutra. Inspirada en el concepto teatro de fricci\u00f3n, el experimento tensiona las relaciones entre dramaturgia y anarqu\u00eda, teatro f\u00edsico y pantalla, piel y proyecci\u00f3n, entre otros. La tem\u00e1tica hace parte de la investigaci\u00f3n del artista sobre movimientos contempor\u00e1neos y de identidad \u2013 de los beatniks, hippies y tropicalistas de 1968 donde sue\u00f1o y realidad se mezclan en un proceso creativo.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Susun\u00e9, contos de mulheres negras”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Com uma linguagem pr\u00f3xima ao teatro performativo, Susun\u00e9 traz \u00e0 cena uma dramaturgia que se constr\u00f3i na intersec\u00e7\u00e3o entre a literatura afrocolombiana e a narrativa autobiogr\u00e1fica da atriz, discutindo quest\u00f5es relativas \u00e0 mem\u00f3ria, identidade cultural, territ\u00f3rios e pertencimento.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Atriz, tradutora e professora. Em teatro, recebeu os pr\u00eamios Moli\u00e8re, Mambembe, Shell, Quest\u00e3o de Cr\u00edtica e APTR (os tr\u00eas \u00faltimos com Caranguejo Overdrive). Junto \u00e0 Cia Bufo-Mec\u00e2nica, apresentou-se na Royal Shakespeare Company, com a pe\u00e7a “Two Roses for Richard”. Em cinema, trabalhou em Hollywood com Bill Condon na “Saga Crep\u00fasculo”. Entre seus mais recentes filmes est\u00e3o: “Veneza”, dirigido por Miguel Falabella, e “Casa Flutuante”, produ\u00e7\u00e3o portuguesa que estreia em mar\u00e7o de 2022.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 12 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Carolina Virg\u00fcez (Brazil-Colombia)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Susun\u00e9, Tales of Black Women”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>With a language close to the performative theater, Susun\u00e9 brings to the scene a dramaturgy that is built at the intersection between Afro-Colombian literature and the actress’ autobiographical narrative, discussing issues related to memory, cultural identity, territories, and belonging.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong>Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Susun\u00e9, cuentos de mujeres negras”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Con un lenguaje pr\u00f3ximo al teatro performativo, Susun\u00e9 trae a la escena una dramaturgia que se construye en la intersecci\u00f3n entre la literatura afrocolombiana y la narrativa autobiogr\u00e1fica de la actriz, discutiendo cuestiones relacionadas a la memoria, identidad cultural, territorios y pertenencia.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – “Circular” + Conversa de Denise Stoklos e Maria Eug\u00eania Nogueira<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Maria Eug\u00eania Nogueira (Barretos, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Exibi\u00e7\u00e3o de entrevista dada por Denise Stoklos \u00e0 rede TV Cultura. Ao final, uma conversa entre Denise Stoklos e Maria Eug\u00eania Nogueira, amiga pessoal da atriz que acompanha a sua carreira desde a juventude.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Psic\u00f3loga e musicoterapeuta. De 1969 a 1972, morou em Curitiba, onde cursou a faculdade de Educa\u00e7\u00e3o Musical e a especializa\u00e7\u00e3o em Musicoterapia. Em 1969, inscreveu-se no curso de forma\u00e7\u00e3o do Teatro Gua\u00edra, onde teve a sorte de conhecer a artista Denise Stoklos. Desde ent\u00e3o, acompanha sua carreira, sendo uma cont\u00ednua fonte de inspira\u00e7\u00e3o para sua vida e seu trabalho.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil) and Maria Eug\u00eania Nogueira (Barretos, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – “Circular” + Conversation between Denise Stoklos and Maria Eug\u00eania Nogueira<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Screening of an interview given by Denise Stoklos to TV Cultura. In the end, a conversation between Denise Stoklos and Maria Eug\u00eania Nogueira, a personal friend of the actress who has followed her career since her youth.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Maria Eug\u00eania Nogueira (Barretos, SP – Brasil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> CINE-TEATRO – “Circular” + Charla de Denise Stoklos y Maria Eug\u00eania Nogueira<\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibici\u00f3n de entrevista concedida por Denise Stoklos a la red TV Cultura. Al final, una charla entre Denise Stoklos y Maria Eug\u00eania Nogueira, amiga personal de la actriz que acompa\u00f1a su carrera desde la juventud.<\/p>\n

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\n

\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

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\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “Solo performance em tr\u00e2nsito por po\u00e9ticas latino-americanas” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A atriz colombo-brasileira Carolina Virg\u00fcez abordar\u00e1 os caminhos, entrecruzamentos e tr\u00e2nsitos que deram origem ao espet\u00e1culo “Susun\u00e9: contos de mulheres negras”, assim como refletir\u00e1 sobre temas, como: latinidade, mem\u00f3rias, identidades, tr\u00e2nsitos po\u00e9ticos e cria\u00e7\u00f5es provocadas por nossos sentidos origin\u00e1rios.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Atriz, tradutora e professora. Em teatro, recebeu os pr\u00eamios Moli\u00e8re, Mambembe, Shell, Quest\u00e3o de Cr\u00edtica e APTR (os tr\u00eas \u00faltimos com Caranguejo Overdrive). Junto \u00e0 Cia Bufo-Mec\u00e2nica, apresentou-se na Royal Shakespeare Company, com a pe\u00e7a “Two Roses for Richard”. Em cinema, trabalhou em Hollywood com Bill Condon na “Saga Crep\u00fasculo”. Entre seus mais recentes filmes est\u00e3o: “Veneza”, dirigido por Miguel Falabella, e “Casa Flutuante”, produ\u00e7\u00e3o portuguesa que estreia em mar\u00e7o de 2022.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Carolina Virg\u00dcez (Brazil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Solo performance in transit through Latin American poetics”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The Colombian-Brazilian actress Carolina Virg\u00fcez will address the paths, intersections, and transits that gave rise to the show “Susun\u00e9: tales of black women”, as well as reflecting on themes such as: Latinity, memories, identities, poetic transits, and creations provoked by our original senses.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Solo performance en tr\u00e1nsito por po\u00e9ticas latino-americanas”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La actriz colombo-brasile\u00f1a Carlina Virg\u00fcez tratar\u00e1 de los caminos, entrecruzamientos y tr\u00e1nsitos que originaron el espect\u00e1culo \u201cSusun\u00e9: cuentos de mujeres negras\u201d, as\u00ed como reflexionar\u00e1 sobre temas, como: latinidad, memorias, identidades, tr\u00e1nsitos po\u00e9ticos y creaciones provocadas por nuestros sentidos originarios.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Encantamento sobre possibilidades pol\u00edticas da arte”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Luiz Rufino traz ao p\u00fablico algumas reflex\u00f5es e provoca\u00e7\u00f5es sobre os sentidos de presen\u00e7a e aus\u00eancia da arte na sociedade contempor\u00e2nea. Alguns dos temas abordados s\u00e3o: projetos art\u00edsticos descoloniais, desnormatiza\u00e7\u00e3o dos sistemas comuns, campos pol\u00edticos de afetividade, corpos e po\u00e9ticas de liberdade, alargamento de tempos e fronteiras subjetivas, dentre outros.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Professor da Faculdade de Educa\u00e7\u00e3o da Baixada Fluminense (FEBF) da Universidade do Estado do Rio de Janeiro (UERJ) e do Programa de p\u00f3s-graduacao em Educa\u00e7\u00e3o, Cultura e Comunica\u00e7\u00e3o em Periferias Urbanas (PPGECC). Pesquisa e desenvolve seus livros e palestras sobre os seguintes temas: cr\u00edtica decolonial, antirracismo, processos de forma\u00e7\u00e3o em diferentes contextos educativos, processos identit\u00e1rios, outras pedagogias e educa\u00e7\u00f5es nas culturas populares.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Enchantment on the political possibilities of art”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Luiz Rufino brings to the public some reflections and provocations about the senses of presence and absence of art in contemporary society. Some of the topics covered are: decolonial artistic projects, de-norming of common systems, political fields of affectivity, bodies, and poetics of freedom, enlargement of times, and subjective borders, among others.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Encantamiento sobre posibilidades pol\u00edticas del arte”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Luiz Rufino trae al p\u00fablico algunas reflexiones y provocaciones sobre los sentidos de presencia y ausencia del arte en la sociedad contempor\u00e1nea. Algunos de los temas tratados son: proyectos art\u00edsticos decoloniales, desnormalizaci\u00f3n de los sistemas comunes, campos pol\u00edticos de afectividad, cuerpos y po\u00e9ticas de libertad, alargamiento de tiempos y fronteras subjetivas, entre otros.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Inc\u00f4modos Essenciais (vidas que desejam ‘AMOR & LIBERDADE’)”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A oficina estimula um vi\u00e9s cr\u00edtico e provocativo para transformar inc\u00f4modos diversos em po\u00e9ticas c\u00eanicas e solos performances. Os participantes s\u00e3o convidados a trabalhar sobre seus questionamentos de mundo como estimuladores de pot\u00eancias cr\u00edticas e mobilizadoras por meio da arte.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Marcos Americano \u00e9 ator, diretor e autor . Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Essential Annoyances (lives that desire ‘LOVE & FREEDOM’)”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The workshop encourages a critical and provocative approach to transforming diverse annoyances into scenic poetics and solo performances. Participants are invited to work on their questioning of the world as stimulators of critical and mobilizing powers through art.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Molestias Esenciales (vidas que desean \u2018AMOR & LIBERTAD\u2019)”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El taller estimula un lado cr\u00edtico y provocante para transformar molestias diversas en po\u00e9ticas esc\u00e9nicas y solos performances. Los participantes son invitados a trabajar sobre sus cuestionamientos del mundo como estimulantes de potencias cr\u00edticas y movilizadoras por medio del arte.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Absurdo poder\u2026 Transformac\u00e3o”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Perla Tarello (Buenos Aires, Argentina) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O quinto dia da Mostra \u00e9 aberto com o solo “Absurdo poder\u2026Transforma\u00e7\u00e3o”, de Perla Tarello.
\nO experimento audiovisual est\u00e1 dividido em duas partes. A primeira exp\u00f5e o abuso do poder na pol\u00edtica com base na repeti\u00e7\u00e3o das promessas e mentiras, nos discursos de palavras vazias, na voz de uma verdade vertical. A segunda revela a poss\u00edvel transforma\u00e7\u00e3o da pol\u00edtico por meio do jogo, do \u00f3cio e do conhecimento, este \u00faltimo sendo simbolizado por uma ma\u00e7\u00e3 (da \u00e1rvore do conhecimento).<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Artista e terapeuta. Pr\u00e1tica teatro desde crian\u00e7a. Em seus trabalhos, exp\u00f5e camadas de humor, fic\u00e7\u00e3o e mem\u00f3rias pessoais, transitando entre linguagens como o teatro, a dan\u00e7a, a fotografia, a acrobacia, a m\u00edmica, o figurino e a constru\u00e7\u00e3o de m\u00e1scaras, dentre outros. Seus trabalhos s\u00e3o marcados por provoca\u00e7\u00f5es, questionamentos cr\u00edticos e humor sat\u00edrico contempor\u00e2neo. A artista \u00e9 marca de uma gera\u00e7\u00e3o dos artistas vanguardistas de Buenos Aires.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Cristiana Nogueira<\/strong> (Rio de Janeiro, RJ) | “Dilacerar a cor” <\/span>
\nEmerson M.<\/strong> | “Ovo de Clarice” <\/span>
\nKadu Fragoso<\/strong> (Lauro de Freitas, BA) | “Solos INvencionistas em CASA: Disritimia” <\/span>
\nPatricia Azevedo<\/strong> (Toronto, Canad\u00e1) | “Tropical body” <\/span>
\nRafael Bulh\u00f5es<\/strong> (Salvador, BA) | “Devir Gazela” <\/span>
\nRebeca Tadiello<\/strong> (S\u00e3o Paulo, SP) | “Ensaios sobre um triz” <\/span>
\nSandra Woo<\/strong> (S\u00e3o Paulo, SP) | “Planeta \u00e1gua” <\/span>
\nUltra Martini<\/strong> (S\u00e3o Paulo, SP) | “Stanislovesme”<\/span><\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Perla Tarello (Buenos Aires, Argentina) + various<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Absurd power\u2026 Transformation”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The fifth day of the Exhibition opens with the solo “Absurd power\u2026Transformation”, by Perla Tarello. The audiovisual experiment is divided into two parts. The first one exposes the abuse of power in politics based on the repetition of promises and lies, on empty speeches, on the voice of a vertical truth. The second one reveals the possible transformation of politics through game, idleness, and knowledge, the last one being symbolized by an apple (from the tree of knowledge).<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Perla Tarello (Buenos Aires, Argentina) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Absurdo poder\u2026 Transformaci\u00f3n”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentaciones audiovisuales de solos performances de participantes de todo Brasil y del mundo. El quinto d\u00eda de la Muestra es abierto con el solo \u201cAbsurdo poder\u2026 Transformaci\u00f3n\u201d, de Perla Tarello. El experimento audiovisual est\u00e1 dividido en dos partes. La primera expone el abuso del poder en la pol\u00edtica con base en la repetici\u00f3n de las promesas y mentiras, en los discursos de palabras vac\u00edas, en la voz de una verdad vertical. La segunda revela la posible transformaci\u00f3n pol\u00edtica por medio del juego, del ocio y del conocimiento, este \u00faltimo siendo simbolizado por una manzana (del \u00e1rbol del conocimiento).<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Van Gogh”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> “Van Gogh” retrata o universo violento deste pintor que, aos 37 anos, se suicidou ap\u00f3s uma vida de repetidas nega\u00e7\u00f5es: nega\u00e7\u00e3o do reconhecimento como artista, nega\u00e7\u00e3o do amor e do conv\u00edvio social. O espet\u00e1culo persegue o fluxo criativo de Van Gogh, sua obsess\u00e3o pela pintura, seu amor pela natureza e pela vida humana, e trabalha a partir da viol\u00eancia delicada que s\u00f3 um g\u00eanio como Van Gogh consegue ter. “Van Gogh” deu a Elias Andreato os Pr\u00eamios Shell e Apetesp de melhor ator, a Wagner Freire o Pr\u00eamio Shell de melhor ilumina\u00e7\u00e3o e indica\u00e7\u00e3o para o Pr\u00eamio
\nShell de melhor dire\u00e7\u00e3o para M\u00e1rcia Abujamra.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Elias Andreato \u00e9 um importante ator de teatro, cinema e televis\u00e3o. Trabalhou com grandes dramaturgos e diretores do teatro brasileiro. J\u00e1 recebeu importantes pr\u00eamios, como: \u201cPr\u00eamio Shell\u201d, \u201cPr\u00eamio IBEU\u201d, \u201cAssocia\u00e7\u00e3o Paulista de Cr\u00edticos de Arte\u201d e \u201cAssocia\u00e7\u00e3o dos Produtores de Espet\u00e1culos Teatrais do Estado de S\u00e3o Paulo\u201d. Atualmente, \u00e9 diretor do espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 12 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Van Gogh”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>“Van Gogh” portrays the violent universe of this painter who, at age 37, committed suicide after a life of repeated denials: denial of recognition as an artist, denial of love, and social life. The show pursues Van Gogh’s creative flow, his obsession with painting, his love for nature and human life, and works from the delicate violence that only a genius like Van Gogh can have. Notes: “Van Gogh” gave Elias Andreato the Shell Award and the Apetesp Award for best actor, Wagner Freire the Shell Award for best lighting, and a nomination for the Shell Award of the best direction for Marcia Abujamra.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Van Gogh”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> \u201cVan Gogh\u201d retrata el universo violento de este pintor que, a los 37 a\u00f1os, se suicid\u00f3 luego de una vida de repetidas negaciones: negaci\u00f3n del reconocimiento como artista, negaci\u00f3n del amor y del convivio social. El espect\u00e1culo persigue el flujo creativo de Van Gogh, su obsesi\u00f3n por la pintura, su amor por la naturaleza y por la vida humana, y trabaja desde la violencia delicada que solo un genio como Van Gogh consigue tener. Observaciones: \u201cVan Gogh\u201d dio a Elias Andreato los Premios Shell y Apetesp de mejor actor, a Wagner Freire el Premio Shell de mejor iluminaci\u00f3n e indicaci\u00f3n para el Premio Shell de mejor direcci\u00f3n para M\u00e1rcia Abujamra.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – “Teatro Essencial na \u00c1frica do Sul” + Conversa de Denise Stoklos e Cristiane Moura<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Cristiane Moura (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Exibi\u00e7\u00e3o de mat\u00e9ria televisiva feita na \u00c1frica do Sul, que acompanhou turn\u00ea de Denise Stoklos no pa\u00eds. Ao final, uma conversa entre Davi Giordano e Cristiane Moura, que, na \u00e9poca, acompanhou a viagem e foi assistente de Denise Stoklos.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Arteterapeuta e Mestre em Teatro pela UNIRIO. Tamb\u00e9m atua como atriz e educadora f\u00edsica. Em 1998, realizou a primeira pesquisa de mestrado sobre o Teatro Essencial no Brasil, com a disserta\u00e7\u00e3o “Solid\u00e3o An\u00e1rquica”. Durante anos, trabalhou como assistente de Denise Stoklos em diversas turn\u00eas ao redor do Mundo. Criadora da linha Transformazol, que mistura arte com performances de autoconhecimento.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil) and Cristiane Moura (Rio de Janeiro, RJ – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – “Essential Theater in South Africa” + Conversation between Davi Giordano and Cristiane Moura<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibition of a televised article made in South Africa, which accompanied Denise Stoklos’ tour in the country. In the end, a conversation between Davi Giordano and Cristiane Moura, who, at the time, accompanied the trip and was Denise Stoklos’ assistant.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR \u2013 Brasil) y Cristiane Moura (Rio de Janeiro, RJ \u2013 Brasil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> \u201cTeatro Esencial en \u00c1frica del Sur\u201d + Charla de Davi Giordano y Cristiane Moura<\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibici\u00f3n de reportaje televisivo hecho en \u00c1frica del Sur, que acompa\u00f1\u00f3 la gira de Denise Stoklos en el pa\u00eds. Al final, una charla entre Davi Giordano y Cristiane Moura, que, en la \u00e9poca, acompa\u00f1\u00f3 el viaje y fue asistente de Denise Stoklos.<\/p>\n

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\n

\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n

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\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “Processos criativos da solo performance no contexto da contemporaneidade” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> O ator de longa trajet\u00f3ria, Elias Andreato, compartilhar\u00e1 procedimentos de seus processos criativos em Solos Performances, como \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOutros Eus\u201d (2018), \u201cO Veneno do Teatro\u201d, dentre outros. Em especial, Andreato revelar\u00e1 algumas de suas experi\u00eancias ao ensaiar e dirigir Denise Stoklos no atual espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d (2022).<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Elias Andreato \u00e9 um importante ator de teatro, cinema e televis\u00e3o. Trabalhou com grandes dramaturgos e diretores do teatro brasileiro. J\u00e1 recebeu importantes pr\u00eamios, como: \u201cPr\u00eamio Shell\u201d, \u201cPr\u00eamio IBEU\u201d, \u201cAssocia\u00e7\u00e3o Paulista de Cr\u00edticos de Arte\u201d e \u201cAssocia\u00e7\u00e3o dos Produtores de Espet\u00e1culos Teatrais do Estado de S\u00e3o Paulo\u201d. Atualmente, \u00e9 diretor do espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Creative processes of solo performance in the context of contemporaneity”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The long-term actor Elias Andreato will share procedures of his creative processes in Solos Performances, such as \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOther I\u00b4s\u201d (2018), \u201cThe Theatre Poison “, among others. In particular, Andreato will reveal some of his experiences when rehearsing and directing Denise Stoklos in the current show \u201cAbjeto-Subject: Clarice Lispector by Denise Stoklos\u201d (2022).<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Procesos creativos del solo performance en el contexto de contemporaneidad”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Actor de larga trayectoria, Elias Andreato, compartir\u00e1 procedimientos de sus procesos creativos en Solos Performances, como \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOtros Yo\u201d (2018), \u201cEl Veneno del Teatro\u201d, entre otros. En especial, Andreato revelar\u00e1 algunas de sus experiencias al ensayar y dirigir Denise Stoklos en el actual espect\u00e1culo \u201cAbjeto-Sujeto: Clarice Lispector por Denise Stoklos\u201d (2022).<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Autobiografia na solo performance”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Vivi Tellas (Buenos Aires \u2013 Argentina)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Vivi Tellas, importante diretora e curadora teatral de Buenos Aires, compartilhar\u00e1 suas experi\u00eancias em processos de cria\u00e7\u00e3o biodram\u00e1ticos e document\u00e1rios no campo da Solo Performance. A diretora desdobrar\u00e1 sobre os processos de cria\u00e7\u00e3o ao dirigir atores com base em suas mem\u00f3rias e experi\u00eancias pessoais, assim como a possibilidade de mistur\u00e1-las com camadas de autofic\u00e7\u00e3o.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Vivi Tellas \u00e9 curadora e diretora de teatro. Criadora do Biodrama, um g\u00eanero que investiga a biografia como material c\u00eanico. Em 2015 foi reconhecida como “Personalidade Destacada no \u00c2mbito da Cultura da Cidade de Buenos Aires”. Professora visitante da University of Princeton (EUA). Seus trabalhos j\u00e1 foram apresentados em toda a Am\u00e9rica Latina, EUA e Europa.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Vivi Tellas (Buenos Aires – Argentina)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Autobiography in Solo Performance”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Vivi Tellas, major theater director and curator from Buenos Aires, will share her experiences in biodramatic and documentary creation processes in the field of Solo Performance. The director will unfold the creation processes when directing actors based on their memories and personal experiences, as well as the possibility of mixing them with layers of autofiction.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Vivi Tellas (Buenos Aires \u2013 Argentina)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Autobiograf\u00eda en Solo Performance”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Vivi Tellas, importante directora y curadora teatral de Buenos Aires, compartir\u00e1 sus experiencias en procesos de creaci\u00f3n biodram\u00e1ticos y documentales en el campo de Solo Performance. La directora desarrollar\u00e1 sobre los procesos de creaci\u00f3n al dirigir actores con base en sus memorias y experiencias personales, as\u00ed como la posibilidad de mezclarlas con camadas de autoficci\u00f3n.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Dendincasa”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Kadu Fragoso (Salvador, Bahia – Brasil) + Ianca Oliveira (Santo Amaro, Bahia – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A oficina \u201cSolos de casas \u2018Dendicasa\u2019\u201d \u00e9 direcionada para artistas da cena, interessados em experimentar caminhos de linguagem em dan\u00e7a-teatro e v\u00eddeo performance, que buscam conceber experimentos audiovisuais de performances criadas em ambientes dom\u00e9sticos. A proposta \u00e9 pesquisar novas possibilidades das artes c\u00eanicas em di\u00e1logo com as mudan\u00e7as sociais e tecnol\u00f3gicas que foram afetadas pelo contexto da Covid-19. Os participantes s\u00e3o desenvolver\u00e3o uma cria\u00e7\u00e3o f\u00edlmica em tempo real.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u1d0b\u1d00\u1d05\u1d1c \u0493\u0280\u1d00\u0262\u1d0fs\u1d0f: <\/strong>Kadu Fragoso \u00e9 performer e professor de teatro e dan\u00e7a. Pesquisador de p\u00f3s-gradua\u00e7\u00e3o em estudos contempor\u00e2neos nas artes c\u00eanicas pela UFBA. Diretor Art\u00edstico do Coletivo INvent\u00e1rios. Professor do Centro Universit\u00e1rio de Cultura e Arte\u2013UEFS e Centro de Cultura Maestro Miro \u2013 Funda\u00e7\u00e3o Egberto Costa. Seus trabalhos exploram as expans\u00f5es das linguagens h\u00edbridas e dos modelos n\u00e3o convencionais.<\/p>\n

s\u1d0f\u0299\u0280\u1d07 \u026a\u1d00\u0274\u1d04\u1d00 \u1d0f\u029f\u026a\u1d20\u1d07\u026a\u0280\u1d00: <\/strong>Formada em Cinema e Audiovisual pela Universidade Federal do Rec\u00f4ncavo da Bahi. Participou do Programa de Educa\u00e7\u00e3o Tutorial PET – Cinema entre os anos de 2018 a 2021. Em 2019, trabalhou na curadoria do Cine Virada. Criadora da Pavio Curto Produ\u00e7\u00f5es, onde desenvolve o projeto de um filme por m\u00eas durante a pandemia do Covid-19. Atualmente atua como diretora, performer, montadora, roteirista, produtora e videomaker em produ\u00e7\u00f5es independentes.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Kadu Fragoso (Salvador, Bahia – Brazil) and Ianca Oliveira (Santo Amaro, Bahia – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Indahouse”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The workshop \u201cSolos of houses \u00b4Indahouse\u00b4 is focused on artists from the scene, interested in experimenting with language paths in dance-theater and video performance, who seek to conceive audiovisual experiments of performances created in domestic environments. The proposal is to research new possibilities of the performing arts in dialogue with the social and technological changes that were affected by the context of Covid-19. Participants are to develop a film creation in real-time.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Kadu Fragoso (Salvador, Bahia – Brasil) y Ianca Oliveira (Santo Amaro, Bahia – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dendicasa\/Dentrodecasa”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El taller \u201cSolos de casas \u201cDendicasa\u201d\/\u201dDentrodecasa\u201d es direccionada a artistas de escena, interesados en experimentar caminos de lenguaje en danza-teatro y video performance, que buscan concebir experimentos audiovisuales de performances creadas en ambientes dom\u00e9sticos. La propuesta es investigar nuevas posibilidades de artes esc\u00e9nicas en di\u00e1logo con los cambios sociales y tecnol\u00f3gicos que fueron afectados por el contexto de la Covid-19. Los participantes desarrollar\u00e1n una creaci\u00f3n f\u00edlmica en tiempo real.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Sonhagora”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diego Rbor (S\u00e3o Paulo, SP – Brasil) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O sexto dia da Mostra \u00e9 aberto com o solo “Sonhagora”, de Diego RBor. Poeta e escritor Diego Rbor revela poesias de seus trabalhos recentes, os livros ‘Cabocly’ e ‘Um Sonhador Na Multid\u00e3o’.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Autor, editor e produtor de 4 livros nacionais, ‘Outra Realidade’, ‘Bicho Poeta’, ‘cabocly’, e seu mais recente ‘Um Sonhador Na Multid\u00e3o’. Diego \u00e9 membro idealizador do Coletive A Arte Liberta, onde desenvolve saraus e oficinas de Escrita Criativa nas periferias. Al\u00e9m da escrita, o artista embarca agora no Teatro Essencial de Denise Stoklos, potencializando sua poesia com performances que apresentam obras autorais para o p\u00fablico.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Ana Lacombe<\/strong> (Salvador, BA) | “A quem afeta” <\/span>
\nAriel Saostt<\/strong> (Batatais, SP) | “P\u00e1ginas do di\u00e1rio de um escritor” <\/span>
\nGilberto Silva<\/strong> (Niter\u00f3i, RJ) | “Eu quero te ver” <\/span>
\nJuan Cusicanki<\/strong> (S\u00e3o Paulo, SP) | “Mito Deus da Abund\u00e2ncia” <\/span>
\nLuciana Bollina<\/strong> (Ara\u00e7oiaba da Serra, SP) | “Ansiedade” <\/span>
\nNubia Abe<\/strong> (S\u00e3o Paulo, SP) | “Engenhoca” <\/span>
\nSilvano Tolentino<\/strong> (Bragan\u00e7a Paulista, SP) | “Peixinho perigoso” <\/span>
\nVladimir Castilho<\/strong> (Santos, SP) | “Birthday”<\/span><\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Diego Rbor (S\u00e3o Paulo, SP – Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Dreamnow”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The sixth day of the Mostra opens with the solo “Dreamnow”, by Diego R Bor. Poet and writer Diego Rbor reveals poetry from his recent works, the books ‘Cabocly’ and ‘A dreamer in the crowd’.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diego Rbor (S\u00e3o Paulo, SP – Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Sonhagora\/Sue\u00f1ahora”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El sexto d\u00eda de la Muestra es abierto con el solo \u201cSonhagora\u201d\/\u201dSue\u00f1ahora\u201d, de Diego Rbor. Poeta y escritor Diego Rbor revela poes\u00edas de sus trabajos recientes, los libros \u2018Cabocly\u2019 y \u2018Un So\u00f1ador En La Multitud\u201d.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “MANIFESTO!!!<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A performance \u2018MANIFESTO!!!\u2019 parte do princ\u00edpio de cria\u00e7\u00e3o “site specific”, uma cria\u00e7\u00e3o pensada para a sala da “Casa de Zuleika” (resid\u00eancia\/est\u00fadio da artista) em tempos pand\u00eamicos. A performance \u00e9 a lida do corpo na travessia deste espa\u00e7o entrela\u00e7ado, fazendo alus\u00e3o ao tempo contempor\u00e2neo de total descaso com o meio ambiente. Uma performance que traz o registro do corpo desse tempo pand\u00eamico, expurgando a fragilidade humana diante de um v\u00edrus.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Performer e videoartista paulistana. Tem como foco de investiga\u00e7\u00e3o art\u00edstica: o discurso do corpo com defici\u00eancia, a pr\u00e1tica performativa e relacional (p\u00fablico), o tr\u00e2nsito entre as linguagens visuais e c\u00eanicas, dentre outros. Desde 2009 realiza pr\u00e1ticas investigativas a partir do conceito que criou: “corpo Intruso.” e sua performatividade foi contemplada pelo Edital PROAC Pr\u00eamio Hist\u00f3rico em Artes Visuais 2021.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “MANIFEST!!!”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>The performance ‘MANIFESTO!!!’ is based on the principle of “site-specific” creation, a creation designed for the room of the “House of Zuleika” (residence\/studio of the artist) in pandemic times. The performance is the body’s dealings in crossing this intertwined space, alluding to the contemporary time of total disregard for the environment. A performance that brings the body’s record of this pandemic time, purging human fragility in the face of a virus.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “MANIFIESTO!!!”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La performance \u2018MANIFIESTO\u2019 parte del principio de creaci\u00f3n \u201csite specific\u201d, una creaci\u00f3n pensada para la sala de la \u201cCasa de Zuleika\u201d (residencia\/estudio de la artista) en tiempos pand\u00e9micos. La performance es la lectura del cuerpo en el cruce de este espacio entrelazado, haciendo alusi\u00f3n al tiempo contempor\u00e1neo de total descaso con el medio ambiente. Una performance que trae el registro del cuerpo de este tiempo pand\u00e9mico, expurgando la fragilidad humana delante del virus.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nPALCO ABERTO<\/strong> (noite)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 23h \u00e0s 01h<\/span>
\nCINE-TEATRO<\/strong> – \u201cExtin\u00e7\u00e3o\u201d + Conversa de Denise Stoklos e Welington Andrade<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Wellington Andrade (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Exibi\u00e7\u00e3o da filmagem de apresenta\u00e7\u00e3o do espet\u00e1culo “Extin\u00e7\u00e3o” no Sesc Consola\u00e7\u00e3o, em 2018. O espet\u00e1culo \u00e9 baseado em textos de Thomas Bernard. Ao final, uma conversa entre Davi Giordano e Welington Andrade, que \u00e9 o dramaturgo do atual espet\u00e1culo “Abjeto-Sujeito: Clarice Lispector por Denise Stoklos” do Teatro Essencial.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Bacharel em Artes C\u00eanicas pela Universidade Federal do Estado do Rio de Janeiro (Uni-Rio) e bacharel, mestre e doutor em Letras pela USP. Foi editor da revista Cult de 2015 a 2018 e \u00e9 cr\u00edtico de teatro da mesma publica\u00e7\u00e3o desde 2013. Foi curador dos espet\u00e1culos brasileiros da Mostra Internacional de Teatro de S\u00e3o Paulo (MITsp), em 2018 e 2019. \u00c9 dramaturgo do atual espet\u00e1culo “Abjeto-Sujeito: Clarice Lispector por Denise Stoklos” do Teatro Essencial.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Denise Stoklos (Irati, PR – Brazil) and Wellington Andrade (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CINE-THEATER – \u201cExtinction\u201d + Conversation with Denise Stoklos and Wellington Andrade<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Screening of the presentation footage of the show “Extinction” at Sesc Consola\u00e7\u00e3o, in 2018. The show is based on texts by Thomas Bernard. In the end, a conversation between Davi Giordano and Welington Andrade, who is the playwright of the current play “Abject-Subject: Clarice Lispector by Denise Stoklos” by Essential Theatre.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR \u2013 Brasil) y Wellington Andrade (S\u00e3o Paulo, SP \u2013 Brasil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> CINE-TEATRO – \u201cExtinci\u00f3n\u201d + Charla de Denise Stoklos y Welington Andrade<\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Exhibici\u00f3n de la grabaci\u00f3n de la presentaci\u00f3n del espect\u00e1culo \u201cExtinci\u00f3n\u201d en Sesc Consola\u00e7\u00e3o, en 2018. El espect\u00e1culo est\u00e1 basado en textos de Thomas Bernard. Al final, una charla entre Davi Giordano y Welington Andrade, que es dramaturgo del actual espect\u00e1culo \u201cAbjeto-Sujeto: Clarice Lispector por Denise Stoklos\u201d del Teatro Essencial.<\/p>\n

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\n

\ud835\udfec\ud835\udff4\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\uddd7\ud835\udde2\ud835\udde0\ud835\udddc\ud835\udde1\ud835\uddda\ud835\udde2<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span>
\nPALESTRA<\/strong> (manh\u00e3) – “#artistaDEFpresente” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Uma conversa franca e aberta sobre o constante reinventar-se na Arte. A artista compartilhar\u00e1 experi\u00eancias de sua trajet\u00f3ria na arte e como driblou o contexto inclusivista do mercado cultural, criando espa\u00e7os de atua\u00e7\u00e3o necess\u00e1rios para artistas diversos. Ela tamb\u00e9m revelar\u00e1 como nasceu “Corpo Intruso” e sua performatividade “Zuleika Brit”, o conceito que criou em 2009, quando morou na It\u00e1lia, que \u00e9 objeto e sujeito de pr\u00e1tica investigativa at\u00e9 hoje.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Performer e videoartista paulistana. Tem como foco de investiga\u00e7\u00e3o art\u00edstica: o discurso do corpo com defici\u00eancia, a pr\u00e1tica performativa e relacional (p\u00fablico), o tr\u00e2nsito entre as linguagens visuais e c\u00eanicas, dentre outros. Desde 2009 realiza pr\u00e1ticas investigativas a partir do conceito que criou: “corpo Intruso.” e sua performatividade foi contemplada pelo Edital PROAC Pr\u00eamio Hist\u00f3rico em Artes Visuais 2021.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “#artistDEFpresent”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A frank and open conversation about constantly reinventing oneself in Art. The artist will share experiences of her trajectory in art and how she dribbled the inclusive context of the cultural market, creating necessary spaces of action for different artists. She will also reveal how “Intruder Body” and her performativity “Zuleika Brit” was born, the concept she created in 2009, when she lived in Italy, which is the object and subject of investigative practice to this day.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “#artistaDEFpresente”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Una charla franca y abierta sobre el constante reinventarse en el Arte. La artista compartir\u00e1 experiencias de su trayectoria en arte y c\u00f3mo super\u00f3 el contexto inclusivista del mercado cultural, creando espacios de actuaci\u00f3n necesarios para artistas diversos. Ella tambi\u00e9n revelar\u00e1 como naci\u00f3 \u201cCuerpo Intruso\u201d y su performatividad \u201cZuleika Brit\u201d, el concepto que cre\u00f3 en 2009, cuando vivi\u00f3 en Italia, que es objeto y sujeto de su pr\u00e1ctica investigativa hasta hoy.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 13h \u00e0s 14h<\/span>
\nPALCO ABERTO<\/strong> (para todas as idades)<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Diversos<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span>
\n <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span>
\nPALESTRA<\/strong> (tarde) – “Caminhos essenciais para se produzir solos performances”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP \u2013 Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Muitos artistas n\u00e3o gostam ou t\u00eam dificuldade de se produzir. Esta palestra pretende desmistificar que produzir \u00e9 complicado. A produ\u00e7\u00e3o precisa servir ao artista, facilitando as suas ideias. Para isso, Luque Daltrozo compartilhar\u00e1 suas experi\u00eancias profissionais pontuando caminhos poss\u00edveis para viabilizar modelos essenciais de produ\u00e7\u00e3o cultural para solos performers. O produtor contar\u00e1 tamb\u00e9m sobre algumas experi\u00eancias diretas ao produzir espet\u00e1culos do Teatro Essencial com Denise Stoklos.<\/p>\n

s\u1d0f\u0299\u0280\u1d07:<\/strong> Produtor cultural desde 1982. J\u00e1 realizou in\u00fameros trabalhos com teatro, m\u00fasica, dan\u00e7a, literatura e televis\u00e3o. Trabalhou com importantes diretoras, como: Felipe Hirsch, Eric Lenate, Ulysses Cruz, Francisco Medeiros, Marcio Aur\u00e9lio, Daniela Thomas, dentre outros. Suas produ\u00e7\u00f5es j\u00e1 ocuparam prestigiosos espa\u00e7os culturais do Brasil e outros pa\u00edses. Foi produtor de espet\u00e1culos do Teatro Essencial, como “Extin\u00e7\u00e3o”, “As Palavras Gestuais” e “Vendo Gritos e Palavras”.<\/p>\n

\u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP \u2013 Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Essential ways to produce solo performances”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Many artists do not like or have difficulty producing themselves. This lecture intends to demystify that producing is complicated. Production needs to serve the artist, facilitating his ideas. For this, Luque Daltrozo will share his professional experiences pointing out possible ways to make essential models of cultural production viable for solo performers. The producer will also tell about some direct experiences when producing shows for Essential Theatre with Denise Stoklos.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Caminos esenciales para producirse solos performances”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> A muchos artistas no les gusta o tienen dificultades de auto producirse. Esta ponencia pretende desmitificar que producir es complicado. La producci\u00f3n necesita servir al artista, facilitando sus ideas. Para eso, Luque Daltrozo compartir\u00e1 sus experiencias profesionales apuntando caminos posibles para viabilizar modelos esenciales de producci\u00f3n cultural para solos performers. El productor contar\u00e1 tambi\u00e9n sobre algunas experiencias directas al producir espect\u00e1culos del Teatro Esencial con Denise Stoklos.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span>
\nOFICINA<\/strong> – “Oficina de produ\u00e7\u00e3o cultural para solo performance”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Uma breve e pr\u00e1tica abordagem de produ\u00e7\u00e3o cultural para solo performance, buscando caminhos de facilita\u00e7\u00e3o, viabiliza\u00e7\u00e3o e propaga\u00e7\u00e3o dessa linguagem art\u00edstica. Os participantes receber\u00e3o dicas e sugest\u00f5es de como conduzir a realiza\u00e7\u00e3o do trabalho de produ\u00e7\u00e3o em prol do criador da obra. O ministrante compartilhar\u00e1 caminhos poss\u00edveis para que o artista solo e perform\u00e1tico possa produzir o seu pr\u00f3prio trabalho.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Produtor cultural desde 1982. J\u00e1 realizou in\u00fameros trabalhos com teatro, m\u00fasica, dan\u00e7a, literatura e televis\u00e3o. Trabalhou com importantes diretoras, como: Felipe Hirsch, Eric Lenate, Ulysses Cruz, Francisco Medeiros, Marcio Aur\u00e9lio, Daniela Thomas, dentre outros. Suas produ\u00e7\u00f5es j\u00e1 ocuparam prestigiosos espa\u00e7os culturais do Brasil e outros pa\u00edses. Foi produtor de espet\u00e1culos do Teatro Essencial, como “Extin\u00e7\u00e3o”, “As Palavras Gestuais” e “Vendo Gritos e Palavras”.<\/p>\n

\u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> XXXX<\/span>
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Cultural production workshop for solo performance”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A brief and practical approach to cultural production for solo performance, seeking ways to facilitate, enable and propagate this artistic language. Participants will receive tips and suggestions on how to conduct the production work on behalf of the creator of the work. The minister will share possible ways for solo and performance artists to produce their own work.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Producci\u00f3n cultural para solo performance”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Una breve y pr\u00e1ctica abordaje de producci\u00f3n cultural para solo performance, buscando caminos de facilitaci\u00f3n, viabilidad y propagaci\u00f3n de ese lenguaje art\u00edstico. Los participantes recibir\u00e1n consejos y sugerencias de c\u00f3mo conducir la realizaci\u00f3n del trabajo de producci\u00f3n en beneficio del creador de la obra. El ministrante compartir\u00e1 caminos posibles para que el artista solo y perform\u00e1tico pueda producir su propio trabajo.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 
\n\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Aranha”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Ra\u00edssa Negroni (Irati, PR – Brasil) + diversos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O s\u00e9timo dia da Mostra \u00e9 aberto com o solo “Aranha”, de Ra\u00edssa Negroni. Partindo do arqu\u00e9tipo da aranha, que de dentro de si mesma retira o material necess\u00e1rio para criar sua teia e sua pr\u00f3pria realidade, nesse work in progress, a performer joga com os caminhos de investiga\u00e7\u00e3o art\u00edstica j\u00e1 percorridos em seu projeto intitulado “Erguer o Ventre” (t\u00edtulo do poema de Gertrude Stein) e a cruel estat\u00edstica brasileira de baixa expectativa de vida das travestis e mulheres trans no Brasil, que \u00e9 de apenas 35 anos.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Raissa Negroni \u00e9 uma artista do movimento, do corpo e do improviso. Seus processos criativos transitam pelas fronteiras das linguagens c\u00eanicas e perform\u00e1ticas do teatro, da dan\u00e7a, da performance, do circo, da poesia e das artes urbanas. Sua linguagem art\u00edstica exp\u00f5e reivindica\u00e7\u00f5es pol\u00edticas, dialogando com quest\u00f5es de g\u00eanero atrav\u00e9s de possibilidades criativas para a cena contempor\u00e2nea que convergem com seu lugar de fala enquanto travesti.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n

Ana Lacombe<\/strong> (Salvador, BA) | “OMS” <\/span>
\nAyres Balbino dos Santos<\/strong> (Rio de Janeiro, RJ) | “Pulsar para n\u00e3o dan\u00e7ar” <\/span>
\nCristiana Nogueira<\/strong> (Rio de Janeiro, RJ) | “Serena” <\/span>
\nDavi Giordano<\/strong> (S\u00e3o Paulo, SP) | “Viewpoints en la playa de Chile” <\/span>
\nDFenix<\/strong> (Rio de Janeiro, RJ) | “Human” <\/span>
\nEder Asa<\/strong> (S\u00e3o Paulo, SP) | “Testificar” <\/span>
\nMarco Antonio Oliveira<\/strong> (S\u00e3o Paulo, SP) | “Baba gospel” <\/span>
\nMartini Ultra<\/strong> (S\u00e3o Paulo, SP) | “Lo que sientem los artistes latinoamericanes” <\/span>
\nMonica Dantas<\/strong> (Porto Alegre, RS) | “AMO” <\/span>
\nVagner Cruz<\/strong> (S\u00e3o Paulo, SP) | “Vi vemos” <\/span>
\nViviane Souto<\/strong> (Piracaia, SP) | “Vaca profana”<\/span><\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Ra\u00edssa Negroni (Irati, PR – Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Spider”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The seventh day of the show opens with the solo “Spider”, by Ra\u00edssa Negroni. Starting from the archetype of the spider, which from within itself extracts the necessary material to create its web and its own reality, in this work in progress, the performer plays with the paths of artistic investigation already covered in her project entitled “Lifting Belly” (title of the poem by Gertrude Stein) and the cruel Brazilian statistic of low life expectancy of transvestites and trans women in Brazil, which is only 35 years old.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Ra\u00edssa Negroni (Irati, PR \u2013 Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Ara\u00f1a”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El s\u00e9ptimo d\u00eda de la Muestra es abierto con el solo \u201cAra\u00f1a\u201d de Ra\u00edssa Negroni. Partiendo del arquetipo de ara\u00f1a, que de adentro de uno mismo retira el material necesario para crear su tela y su propia realidad, en este work in progress, la performer juega con caminos de investigaci\u00f3n art\u00edstica ya recorridos en su proyecto intitulado \u201cAlzar el Vientre\u201d (t\u00edtulo del poema de Gertrude Stein) y la cruel estad\u00edstica brasile\u00f1a de baja perspectiva de vida de travestis y mujeres trans en Brasil, que es de apenas 35 a\u00f1os.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 <\/p>\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nPALESTRA DE ENCERRAMENTO<\/strong> – “Arte como pot\u00eancia de liberta\u00e7\u00e3o” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Denise Stoklos (Irati, PR – Brasil) e Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Em entrevista in\u00e9dita, Denise Stoklos responde a perguntas surpreendentes sobre sua vida e trajet\u00f3ria profissional, como: os seus primeiros passos nas artes, a cria\u00e7\u00e3o de sua linha pr\u00f3pria de trabalho, suas experi\u00eancias de ser dirigida por nomes como Antonio Abujamra, a import\u00e2ncia de sua fam\u00edlia para seus processos de cria\u00e7\u00e3o, os di\u00e1logos que estabelece com as novas gera\u00e7\u00f5es de artistas, seus pensamentos sobre o campo da curadoria, dentre outros.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

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\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil) and Davi Giordano (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> CLOSING LECTURE – “Art as a power of liberation”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> In an unprecedented interview, Denise Stoklos answers surprising questions about her life and professional trajectory, such as: her first steps in the arts, the creation of her own line of work, her experiences of being directed by names like Antonio Abujamra, the importance of her family to her creative processes, the dialogues she establishes with the new generations of artists, his thoughts on the field of curatorship, among others.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati PR \u2013 Brasil) y Davi Giordano (S\u00e3o Paulo, SP \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Arte como potencia de liberaci\u00f3n”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> En entrevista in\u00e9dita, Denise Stoklos responde a preguntas sorprendentes sobre su vida y trayectoria profesional, como: sus primeros pasos en las artes, la creaci\u00f3n de su propia l\u00ednea de trabajo, sus experiencias de ser dirigida por nombres como Antonio Abujamra, la importancia de su familia para sus procesos de creaci\u00f3n, los di\u00e1logos que establece con las nuevas generaciones de artistas, sus pensamientos sobre el campo de curado, entre otros.<\/p>\n

 <\/p>\n

\u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022 \u2022<\/p>\n

 <\/p>\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 22h \u00e0s 23h<\/span>
\nENCERRAMENTO FIDS<\/strong> – Festa do encerramento FIDS 2022<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos recebe ao vivo seu p\u00fablico para uma festa online de encerramento do festival.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> PARTY – FIDS 2022 Closing Party<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos welcomes her audience live for an online festival closing party.<\/p>\n

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\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati PR \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> FIESTA – Fiesta de cierre FIDS 2022<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos recibe en vivo a su p\u00fablico para una fiesta online de cierre del festival.<\/p>\n

 
\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row container=”1″ css=”.vc_custom_1649884824781{background-image: url(https:\/\/fidsfestival.com\/wp-content\/uploads\/2022\/04\/zoom.png?id=602) !important;}”][vc_column][vc_cta h2=”#FIDS2022″ h4=”FESTIVAL ONLINE<\/b>” txt_align=”center” shape=”square” style=”flat” color=”sky” el_width=”md” add_button=”bottom” btn_title=”PARTICIPE<\/b>” btn_style=”gradient-custom” btn_gradient_custom_color_1=”#0057d1″ btn_gradient_custom_color_2=”#0057d1″ btn_shape=”square” btn_size=”lg” btn_align=”center” css=”.vc_custom_1649885261740{margin-top: 0px !important;margin-bottom: -35px !important;background-image: url(https:\/\/fidsfestival.com\/wp-content\/uploads\/2022\/04\/zoom.png?id=602) !important;}” btn_link=”url:http%3A%2F%2Fbit.ly%2Ffids2022||target:%20_blank|” btn_custom_onclick=”true”]\/\/ A programa\u00e7\u00e3o completa ser\u00e1 exibida na plataforma Zoom atrav\u00e9s do link abaixo. \/\/<\/span>[\/vc_cta][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649694099189{margin-bottom: -40px !important;background-color: #f22b92 !important;}”][vc_column][vc_single_image image=”759″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row container=”1″][vc_column][vc_column_text]   \ud835\udfec\ud835\udfee\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddda\ud835\udde8\ud835\udde1\ud835\uddd7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4 \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f: das 10h \u00e0s 12h MASTERCLASS \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00: Nadja Marcin (Wurtzburgo, Alemanha) s\u026a\u0274\u1d0f\u1d18s\u1d07: Sendo um dos nomes mais expoentes da arte da performance na contemporaneidade, Nadja Marcin compartilhar\u00e1 algumas reflex\u00f5es e procedimentos de seus processos de cria\u00e7\u00e3o. A palestra acompanha tamb\u00e9m a exibi\u00e7\u00e3o de v\u00eddeos de alguns de seus experimentos<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-visual_composer.php","meta":[],"_links":{"self":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/693"}],"collection":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/comments?post=693"}],"version-history":[{"count":5,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/693\/revisions"}],"predecessor-version":[{"id":931,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/693\/revisions\/931"}],"wp:attachment":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/media?parent=693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}