[vc_row container=”1″][vc_column][vc_column_text] <\/p>\n

\ud835\udfec\ud835\udfee\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddda\ud835\udde8\ud835\udde1\ud835\uddd7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – Abertura da noite de espet\u00e1culo com “Vendo gritos e palavras”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Um recital c\u00eanico que se desdobra atrav\u00e9s do mundo da literatura latinoamericana de Julio Cort\u00e1zar. A atriz l\u00ea textos impressos sob uma estante de partitura, provocando uma mistura de teatralidades com o universo musical. Denise Stoklos performa palavras no ar ecoando os sentidos ampliadores e performativos de uma cena contempor\u00e2nea. Filmagem da apresenta\u00e7\u00e3o no SESC Consola\u00e7\u00e3o de S\u00e3o Paulo, em 2016.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – Opening of the show night with “Selling Screams and Words”<\/span><\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A scenic recital that unfolds through the world of Julio Cort\u00e1zar’s Latin American literature. The actress reads printed texts over a music stand, provoking a mix of theatricalities with the musical universe. Denise Stoklos performs words in the air, echoing the amplifying and performative senses of a contemporary scene. Footage of the presentation at SESC Consola\u00e7\u00e3o in S\u00e3o Paulo, in 2016.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – Apertura de la noche de espect\u00e1culo con “Viendo gritos y palabras”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Un recital esc\u00e9nico que se desarrolla desde el mundo de la literatura latinoamericana de Julio Cort\u00e1zar. La actriz lee textos impresos bajo un estante de partitura, provocando una mezcla de teatralidades con el universo musical. Denise Stoklos performa palabras en el aire repercutiendo los sentidos ampliadores y performativos de una escena contempor\u00e1nea. Grabaci\u00f3n de la presentaci\u00f3n en SESC Consola\u00e7\u00e3o de S\u00e3o Paulo, en 2016.<\/p>\n

---

\n

\ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Notas do campo” (Notes from the field) com coment\u00e1rios de Denise Stoklos<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> ‘NOTAS DO CAMPO’, de Anna Deavere Smith, \u00e9 um solo performance sobre o racismo presente no sistema educacional norte-americano. A reconhecida atriz de teatro, cinema e televis\u00e3o encena m\u00faltiplos personagens que s\u00e3o violentadores e vulner\u00e1veis de um sistema din\u00e2mico de opress\u00e3o diante das diferen\u00e7as raciais existentes nos Estados Unidos.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Notes from the field” with commentary by Denise Stoklos<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>‘NOTES DO FIELD’, by Anna Deavere Smith, is a solo performance regarding the racism present in the North American educational system. The renowned actress in theater, film and television, stages multiple characters who are violent and vulnerable of a dynamic oppression system towards the racial differences existing in the United States.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Anna Deavere Smith (Baltimore, Maryland – EUA) + Denise Stoklos (Irati, PR – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Notas del campo” (Notes from the field) con comentarios de Denise Stoklos<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> “NOTAS DEL CAMPO” de Anna Deavere Smith, es un solo performance sobre el racismo presente en el sistema educacional norte-americano. La reconocida actriz de teatro, cine y televisi\u00f3n escenifica m\u00faltiples personajes que son violadores y vulnerables de un sistema din\u00e1mico de opresi\u00f3n delante de las diferencias raciales existentes en los Estados Unidos.<\/p>\n

---

\n

\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Quixeramobim”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> O s\u00e9timo solo de Ricardo Castro tem como objetivo visitar a linha t\u00eanue que separa, e por vezes mescla, realidade e fic\u00e7\u00e3o, a partir da hist\u00f3ria de amor de um pai por uma filha, cuja vida \u00e9 povoada por ic\u00f4nicas personalidades nordestinas. Baseada em not\u00edcia ver\u00eddica publicada num jornal pernambucano, e usando da po\u00e9tica dos cord\u00e9is, Ricardo reescreve a not\u00edcia, dando \u00e0 protagonista um destino mais humano.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Solo performer e fundador da Companhia de um Homem S\u00f3. Trabalhou com grandes artistas do teatro baiano. Integrou os grupos Teatro do Ornitorrinco e XPTO. Seu solo R$1,99 j\u00e1 foi apresentado em diversas temporadas por cidades como Rio de Janeiro, S\u00e3o Paulo, Curitiba, Belo Horizonte, e Buenos Aires, dentre outras. De 1999 at\u00e9 ent\u00e3o, Ricardo escreveu, dirigiu e atuou nos espet\u00e1culos solo 2, Temporal, Quem souber morre, Sexo, drogas e ax\u00e9 music, Pelo humor de Deus e Quixeramobim.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 14 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Ricardo Castro (Salvador, BA – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Quixeramobim”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>Ricardo Castro’s seventh solo aims to visit the thin line that separates, and sometimes mixes, reality and fiction, based on the love story of a father for a daughter, whose life is populated by iconic Northeastern Brazilian personalities. Based on a true story published in a Pernambuco newspaper, and using the poetics of the \u201ccord\u00e9is\u201d (twines), Ricardo rewrites the report, giving the protagonist a more human destiny.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong>Ricardo Castro (Salvador, BA – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Quixeramobim”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El s\u00e9ptimo solo de Ricardo Castro tiene como objetivo visitar la l\u00ednea tenue que separa, y a veces mezcla, realidad y ficci\u00f3n, desde la historia de amor de un padre por su hija, cuya vida es poblada por ic\u00f3nicas personalidades del nordeste de Brasil. Basadas en noticias verdaderas publicadas en un peri\u00f3dico pernambucano, y usando la po\u00e9tica de los cordeles, Ricardo reescribe la noticia, dando a la protagonista un destino m\u00e1s humano.<\/p>\n

---

\n

\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Susun\u00e9, contos de mulheres negras”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Com uma linguagem pr\u00f3xima ao teatro performativo, Susun\u00e9 traz \u00e0 cena uma dramaturgia que se constr\u00f3i na intersec\u00e7\u00e3o entre a literatura afrocolombiana e a narrativa autobiogr\u00e1fica da atriz, discutindo quest\u00f5es relativas \u00e0 mem\u00f3ria, identidade cultural, territ\u00f3rios e pertencimento.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Atriz, tradutora e professora. Em teatro, recebeu os pr\u00eamios Moli\u00e8re, Mambembe, Shell, Quest\u00e3o de Cr\u00edtica e APTR (os tr\u00eas \u00faltimos com Caranguejo Overdrive). Junto \u00e0 Cia Bufo-Mec\u00e2nica, apresentou-se na Royal Shakespeare Company, com a pe\u00e7a “Two Roses for Richard”. Em cinema, trabalhou em Hollywood com Bill Condon na “Saga Crep\u00fasculo”. Entre seus mais recentes filmes est\u00e3o: “Veneza”, dirigido por Miguel Falabella, e “Casa Flutuante”, produ\u00e7\u00e3o portuguesa que estreia em mar\u00e7o de 2022.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 12 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Carolina Virg\u00fcez (Brazil-Colombia)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Susun\u00e9, Tales of Black Women”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>With a language close to the performative theater, Susun\u00e9 brings to the scene a dramaturgy that is built at the intersection between Afro-Colombian literature and the actress’ autobiographical narrative, discussing issues related to memory, cultural identity, territories, and belonging.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong>Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Susun\u00e9, cuentos de mujeres negras”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Con un lenguaje pr\u00f3ximo al teatro performativo, Susun\u00e9 trae a la escena una dramaturgia que se construye en la intersecci\u00f3n entre la literatura afrocolombiana y la narrativa autobiogr\u00e1fica de la actriz, discutiendo cuestiones relacionadas a la memoria, identidad cultural, territorios y pertenencia.<\/p>\n

---

\n

\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “Van Gogh”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> “Van Gogh” retrata o universo violento deste pintor que, aos 37 anos, se suicidou ap\u00f3s uma vida de repetidas nega\u00e7\u00f5es: nega\u00e7\u00e3o do reconhecimento como artista, nega\u00e7\u00e3o do amor e do conv\u00edvio social. O espet\u00e1culo persegue o fluxo criativo de Van Gogh, sua obsess\u00e3o pela pintura, seu amor pela natureza e pela vida humana, e trabalha a partir da viol\u00eancia delicada que s\u00f3 um g\u00eanio como Van Gogh consegue ter. “Van Gogh” deu a Elias Andreato os Pr\u00eamios Shell e Apetesp de melhor ator, a Wagner Freire o Pr\u00eamio Shell de melhor ilumina\u00e7\u00e3o e indica\u00e7\u00e3o para o Pr\u00eamio
\nShell de melhor dire\u00e7\u00e3o para M\u00e1rcia Abujamra.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Elias Andreato \u00e9 um importante ator de teatro, cinema e televis\u00e3o. Trabalhou com grandes dramaturgos e diretores do teatro brasileiro. J\u00e1 recebeu importantes pr\u00eamios, como: \u201cPr\u00eamio Shell\u201d, \u201cPr\u00eamio IBEU\u201d, \u201cAssocia\u00e7\u00e3o Paulista de Cr\u00edticos de Arte\u201d e \u201cAssocia\u00e7\u00e3o dos Produtores de Espet\u00e1culos Teatrais do Estado de S\u00e3o Paulo\u201d. Atualmente, \u00e9 diretor do espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 12 anos<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “Van Gogh”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>“Van Gogh” portrays the violent universe of this painter who, at age 37, committed suicide after a life of repeated denials: denial of recognition as an artist, denial of love, and social life. The show pursues Van Gogh’s creative flow, his obsession with painting, his love for nature and human life, and works from the delicate violence that only a genius like Van Gogh can have. Notes: “Van Gogh” gave Elias Andreato the Shell Award and the Apetesp Award for best actor, Wagner Freire the Shell Award for best lighting, and a nomination for the Shell Award of the best direction for Marcia Abujamra.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “Van Gogh”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> \u201cVan Gogh\u201d retrata el universo violento de este pintor que, a los 37 a\u00f1os, se suicid\u00f3 luego de una vida de repetidas negaciones: negaci\u00f3n del reconocimiento como artista, negaci\u00f3n del amor y del convivio social. El espect\u00e1culo persigue el flujo creativo de Van Gogh, su obsesi\u00f3n por la pintura, su amor por la naturaleza y por la vida humana, y trabaja desde la violencia delicada que solo un genio como Van Gogh consigue tener. Observaciones: \u201cVan Gogh\u201d dio a Elias Andreato los Premios Shell y Apetesp de mejor actor, a Wagner Freire el Premio Shell de mejor iluminaci\u00f3n e indicaci\u00f3n para el Premio Shell de mejor direcci\u00f3n para M\u00e1rcia Abujamra.<\/p>\n

---

\n

\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n

---

\n

\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 19h \u00e0s 21h<\/span>
\nESPET\u00c1CULO<\/strong> – “MANIFESTO!!!<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A performance \u2018MANIFESTO!!!\u2019 parte do princ\u00edpio de cria\u00e7\u00e3o “site specific”, uma cria\u00e7\u00e3o pensada para a sala da “Casa de Zuleika” (resid\u00eancia\/est\u00fadio da artista) em tempos pand\u00eamicos. A performance \u00e9 a lida do corpo na travessia deste espa\u00e7o entrela\u00e7ado, fazendo alus\u00e3o ao tempo contempor\u00e2neo de total descaso com o meio ambiente. Uma performance que traz o registro do corpo desse tempo pand\u00eamico, expurgando a fragilidade humana diante de um v\u00edrus.<\/p>\n

s\u1d0f\u0299\u0280\u1d07: <\/strong>Performer e videoartista paulistana. Tem como foco de investiga\u00e7\u00e3o art\u00edstica: o discurso do corpo com defici\u00eancia, a pr\u00e1tica performativa e relacional (p\u00fablico), o tr\u00e2nsito entre as linguagens visuais e c\u00eanicas, dentre outros. Desde 2009 realiza pr\u00e1ticas investigativas a partir do conceito que criou: “corpo Intruso.” e sua performatividade foi contemplada pelo Edital PROAC Pr\u00eamio Hist\u00f3rico em Artes Visuais 2021.<\/p>\n

\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n

---

\n

[\u1d07\u0274]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brazil)<\/span><\/p>\n

\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SHOW – “MANIFEST!!!”<\/p>\n

s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong>The performance ‘MANIFESTO!!!’ is based on the principle of “site-specific” creation, a creation designed for the room of the “House of Zuleika” (residence\/studio of the artist) in pandemic times. The performance is the body’s dealings in crossing this intertwined space, alluding to the contemporary time of total disregard for the environment. A performance that brings the body’s record of this pandemic time, purging human fragility in the face of a virus.<\/p>\n

---

\n

[\u1d07s]<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> ESPECT\u00c1CULO – “MANIFIESTO!!!”<\/span><\/p>\n

s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La performance \u2018MANIFIESTO\u2019 parte del principio de creaci\u00f3n \u201csite specific\u201d, una creaci\u00f3n pensada para la sala de la \u201cCasa de Zuleika\u201d (residencia\/estudio de la artista) en tiempos pand\u00e9micos. La performance es la lectura del cuerpo en el cruce de este espacio entrelazado, haciendo alusi\u00f3n al tiempo contempor\u00e1neo de total descaso con el medio ambiente. Una performance que trae el registro del cuerpo de este tiempo pand\u00e9mico, expurgando la fragilidad humana delante del virus.<\/p>\n

 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1649714559304{margin-bottom: -40px !important;background-color: #bc8f8f !important;}”][vc_column][vc_single_image image=”759″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row container=”1″][vc_column][vc_column_text]  \ud835\udfec\ud835\udfee\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddda\ud835\udde8\ud835\udde1\ud835\uddd7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4 \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f: das 19h \u00e0s 21h ESPET\u00c1CULO – Abertura da noite de espet\u00e1culo com “Vendo gritos e palavras” \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00: Denise Stoklos (Irati, PR – Brasil) s\u026a\u0274\u1d0f\u1d18s\u1d07: Um recital c\u00eanico que se desdobra atrav\u00e9s do mundo da literatura latinoamericana de Julio Cort\u00e1zar. A atriz l\u00ea textos impressos sob uma estante de partitura,<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-visual_composer.php","meta":[],"_links":{"self":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/707"}],"collection":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/comments?post=707"}],"version-history":[{"count":5,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/707\/revisions"}],"predecessor-version":[{"id":907,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/707\/revisions\/907"}],"wp:attachment":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/media?parent=707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}