[vc_row container=”1″][vc_column][vc_column_text] <\/p>\n
\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos traz algumas reflex\u00f5es sobre o significado da mem\u00f3ria para a cultura. Para isso, ela brinda o p\u00fablico com quatro textos-palestras escritos especialmente para o FIDS: “A necessidade de um Festival”, “Cada novo performer nesse FIDS 2022”, “Eu Espectador” e “Responsabilidade Social”.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos brings some reflections on the meaning of memory for culture. Thereunto, she contemplates the audience with four lecture-texts written especially for FIDS: “The need for a Festival”, “Each new performer in FIDS 2022”, “Me, Spectator” and “Social Responsibility”.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos trae algunas reflexiones sobre el significado de la memoria para la cultura. Para eso, ella brinda el p\u00fablico con cuatro textos-ponencias escritos especialmente para el FIDS: \u201cLa necesidad de un Festival\u201d, \u201cCada nuevo performer en este FIDS 2022\u201d, \u201cYo Espectador\u201d y \u201cResponsabilidad Social\u201d.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Denise Stoklos realiza uma conversa exclusiva com Luiza Fillus e Edson Santos. Ambos s\u00e3o os maiores respons\u00e1veis pelas produ\u00e7\u00f5es culturais de Denise Stoklos em sua cidade natal e no estado do Paran\u00e1. Foram tamb\u00e9m fomentadores do Centro Cultural Denise Stoklos e do Acervo do Teatro Essencial, que se manteve durante muitos anos na UNICENTRO, em Irati. Esta conversa brinda o p\u00fablico com mem\u00f3rias e pot\u00eancias afetivas de Denise Stoklos e sua cidade natal.<\/p>\n s\u1d0f\u0299\u0280\u1d07 \u029f\u1d1c\u026a\u1d22\u1d00 \u0493\u026a\u029f\u029f\u1d1cs:<\/strong> Possui gradua\u00e7\u00e3o e mestrado em Letras pela Universidade Cat\u00f3lica do Paran\u00e1. Faz parte da Academia de Letras e Artes de Irati desde sua funda\u00e7\u00e3o. Durante muitos anos, foi Professora da UNICENTRO. \u00c9 uma das maiores respons\u00e1veis pelo setor cultural na cidade de Irati e regi\u00f5es ao redor. Criadora e mantenedora do Sebo Centen\u00e1rio.<\/p>\n s\u1d0f\u0299\u0280\u1d07 \u1d07\u1d05s\u1d0f\u0274 s\u1d00\u0274\u1d1b\u1d0fs:<\/strong> Professor Associado da Universidade Estadual do Centro-Oeste, Unicentro. Tem experi\u00eancia na \u00e1rea de Letras, com \u00eanfase em L\u00edngua e Literatura Portuguesa, atuando principalmente nos seguintes temas: literatura portuguesa, leitura do texto liter\u00e1rio e hist\u00f3ria das ideias lingu\u00edsticas e liter\u00e1rias no Brasil. Dedica-se \u00e0 pesquisa da dramaturgia lusa do s\u00e9culo XIX. Produz eventos liter\u00e1rios e culturais na cidade de Irati.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos has an exclusive conversation with Luiza Fillus and Edson Santos. Both are the major responsible for Denise Stoklos’ cultural productions in her hometown and in the state of Paran\u00e1. They were also promoters of the Denise Stoklos Cultural Center and the Essential Theater Collection, which remained for many years at UNICENTRO, in Irati. This conversation provides the audience with memories and affective powers of Denise Stoklos and her hometown.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Denise Stoklos realiza una charla exclusiva con Luiza Fillus y Edson Santos. Ambos son los mayores responsables por producciones culturales de Denise Stoklos en su ciudad natal y en el estado de Paran\u00e1. Fueron tambi\u00e9n fomentadores del Centro Cultural Denise Stoklos y del Acervo del Teatro Esencial, que se mantuvo durante muchos a\u00f1os en la UNICENTRO, en Irati. Esta charla brinda al p\u00fablico memorias y potencias efectivas de Denise Stoklos y su ciudad natal.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A palestra apresenta o m\u00e9todo Solo F\u00e9rtil, criado por Ricardo Castro, no qual o solo performer escolhe, desenvolve, confecciona e apresenta tudo o que existe no espet\u00e1culo: texto, dire\u00e7\u00e3o, atua\u00e7\u00e3o, cen\u00e1rio, ilumina\u00e7\u00e3o, figurino, maquiagem, sonoplastia e produ\u00e7\u00e3o. Desde o tema a ser tratado at\u00e9 a maneira como ser\u00e1 divulgado. Ricardo tamb\u00e9m trar\u00e1 algumas experi\u00eancias vividas durante a cria\u00e7\u00e3o dos seus sete espet\u00e1culos solo.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Solo performer e fundador da Companhia de um Homem S\u00f3. Trabalhou com grandes artistas do teatro baiano. Integrou os grupos Teatro do Ornitorrinco e XPTO. Seu solo R$1,99 j\u00e1 foi apresentado em diversas temporadas por cidades como Rio de Janeiro, S\u00e3o Paulo, Curitiba, Belo Horizonte, e Buenos Aires, dentre outras. De 1999 at\u00e9 ent\u00e3o, Ricardo escreveu, dirigiu e atuou nos espet\u00e1culos solo 2, Temporal, Quem souber morre, Sexo, drogas e ax\u00e9 music, Pelo humor de Deus e Quixeramobim.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The lecture presents the Fertile Soil method, created by Ricardo Castro, in which the solo performer chooses, develops, builds, and presents everything that exists in the show: text, direction, acting, scenery, lighting, costumes, makeup, sound design, and production. From the topic to be addressed to the way it will be publicized. Ricardo will also bring some experiences lived during the creation of his seven solo shows.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La ponencia presenta el m\u00e9todo Solo-F\u00e9rtil, creado por Ricardo Castro, en el cual el solo performer elige, desarrolla, confecciona y presenta todo lo que existe en el espect\u00e1culo: texto, direcci\u00f3n, actuaci\u00f3n, escenario, iluminaci\u00f3n, vestuario, maquillaje, sonido y producci\u00f3n. Desde el tema que se tratar\u00e1 hasta la manera como ser\u00e1 promocionado. Ricardo tambi\u00e9n traer\u00e1 algunas experiencias vividas durante la creaci\u00f3n de sus siete espect\u00e1culos solo.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A atriz colombo-brasileira Carolina Virg\u00fcez abordar\u00e1 os caminhos, entrecruzamentos e tr\u00e2nsitos que deram origem ao espet\u00e1culo “Susun\u00e9: contos de mulheres negras”, assim como refletir\u00e1 sobre temas, como: latinidade, mem\u00f3rias, identidades, tr\u00e2nsitos po\u00e9ticos e cria\u00e7\u00f5es provocadas por nossos sentidos origin\u00e1rios.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Atriz, tradutora e professora. Em teatro, recebeu os pr\u00eamios Moli\u00e8re, Mambembe, Shell, Quest\u00e3o de Cr\u00edtica e APTR (os tr\u00eas \u00faltimos com Caranguejo Overdrive). Junto \u00e0 Cia Bufo-Mec\u00e2nica, apresentou-se na Royal Shakespeare Company, com a pe\u00e7a “Two Roses for Richard”. Em cinema, trabalhou em Hollywood com Bill Condon na “Saga Crep\u00fasculo”. Entre seus mais recentes filmes est\u00e3o: “Veneza”, dirigido por Miguel Falabella, e “Casa Flutuante”, produ\u00e7\u00e3o portuguesa que estreia em mar\u00e7o de 2022.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The Colombian-Brazilian actress Carolina Virg\u00fcez will address the paths, intersections, and transits that gave rise to the show “Susun\u00e9: tales of black women”, as well as reflecting on themes such as: Latinity, memories, identities, poetic transits, and creations provoked by our original senses.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La actriz colombo-brasile\u00f1a Carlina Virg\u00fcez tratar\u00e1 de los caminos, entrecruzamientos y tr\u00e1nsitos que originaron el espect\u00e1culo \u201cSusun\u00e9: cuentos de mujeres negras\u201d, as\u00ed como reflexionar\u00e1 sobre temas, como: latinidad, memorias, identidades, tr\u00e1nsitos po\u00e9ticos y creaciones provocadas por nuestros sentidos originarios.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> O ator de longa trajet\u00f3ria, Elias Andreato, compartilhar\u00e1 procedimentos de seus processos criativos em Solos Performances, como \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOutros Eus\u201d (2018), \u201cO Veneno do Teatro\u201d, dentre outros. Em especial, Andreato revelar\u00e1 algumas de suas experi\u00eancias ao ensaiar e dirigir Denise Stoklos no atual espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d (2022).<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Elias Andreato \u00e9 um importante ator de teatro, cinema e televis\u00e3o. Trabalhou com grandes dramaturgos e diretores do teatro brasileiro. J\u00e1 recebeu importantes pr\u00eamios, como: \u201cPr\u00eamio Shell\u201d, \u201cPr\u00eamio IBEU\u201d, \u201cAssocia\u00e7\u00e3o Paulista de Cr\u00edticos de Arte\u201d e \u201cAssocia\u00e7\u00e3o dos Produtores de Espet\u00e1culos Teatrais do Estado de S\u00e3o Paulo\u201d. Atualmente, \u00e9 diretor do espet\u00e1culo \u201cAbjeto-Sujeito: Clarice Lispector por Denise Stoklos\u201d.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The long-term actor Elias Andreato will share procedures of his creative processes in Solos Performances, such as \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOther I\u00b4s\u201d (2018), \u201cThe Theatre Poison “, among others. In particular, Andreato will reveal some of his experiences when rehearsing and directing Denise Stoklos in the current show \u201cAbjeto-Subject: Clarice Lispector by Denise Stoklos\u201d (2022).<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Actor de larga trayectoria, Elias Andreato, compartir\u00e1 procedimientos de sus procesos creativos en Solos Performances, como \u201cArap\u201d (2019), \u201cVan Gogh\u201d (2021), \u201cOtros Yo\u201d (2018), \u201cEl Veneno del Teatro\u201d, entre otros. En especial, Andreato revelar\u00e1 algunas de sus experiencias al ensayar y dirigir Denise Stoklos en el actual espect\u00e1culo \u201cAbjeto-Sujeto: Clarice Lispector por Denise Stoklos\u201d (2022).<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 10h \u00e0s 12h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Uma conversa franca e aberta sobre o constante reinventar-se na Arte. A artista compartilhar\u00e1 experi\u00eancias de sua trajet\u00f3ria na arte e como driblou o contexto inclusivista do mercado cultural, criando espa\u00e7os de atua\u00e7\u00e3o necess\u00e1rios para artistas diversos. Ela tamb\u00e9m revelar\u00e1 como nasceu “Corpo Intruso” e sua performatividade “Zuleika Brit”, o conceito que criou em 2009, quando morou na It\u00e1lia, que \u00e9 objeto e sujeito de pr\u00e1tica investigativa at\u00e9 hoje.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Performer e videoartista paulistana. Tem como foco de investiga\u00e7\u00e3o art\u00edstica: o discurso do corpo com defici\u00eancia, a pr\u00e1tica performativa e relacional (p\u00fablico), o tr\u00e2nsito entre as linguagens visuais e c\u00eanicas, dentre outros. Desde 2009 realiza pr\u00e1ticas investigativas a partir do conceito que criou: “corpo Intruso.” e sua performatividade foi contemplada pelo Edital PROAC Pr\u00eamio Hist\u00f3rico em Artes Visuais 2021.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A frank and open conversation about constantly reinventing oneself in Art. The artist will share experiences of her trajectory in art and how she dribbled the inclusive context of the cultural market, creating necessary spaces of action for different artists. She will also reveal how “Intruder Body” and her performativity “Zuleika Brit” was born, the concept she created in 2009, when she lived in Italy, which is the object and subject of investigative practice to this day.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Una charla franca y abierta sobre el constante reinventarse en el Arte. La artista compartir\u00e1 experiencias de su trayectoria en arte y c\u00f3mo super\u00f3 el contexto inclusivista del mercado cultural, creando espacios de actuaci\u00f3n necesarios para artistas diversos. Ella tambi\u00e9n revelar\u00e1 como naci\u00f3 \u201cCuerpo Intruso\u201d y su performatividad \u201cZuleika Brit\u201d, el concepto que cre\u00f3 en 2009, cuando vivi\u00f3 en Italia, que es objeto y sujeto de su pr\u00e1ctica investigativa hasta hoy.<\/p>\n [vc_row container=”1″][vc_column][vc_column_text] \ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4 \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f: das 10h \u00e0s 12h PALESTRA (manh\u00e3) – “Mem\u00f3rias” \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00: Denise Stoklos (Irati, PR – Brasil) s\u026a\u0274\u1d0f\u1d18s\u1d07: Denise Stoklos traz algumas reflex\u00f5es sobre o significado da mem\u00f3ria para a cultura. Para isso, ela brinda o p\u00fablico com quatro textos-palestras escritos especialmente para o FIDS: “A necessidade de um Festival”, “Cada<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-visual_composer.php","meta":[],"_links":{"self":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/713"}],"collection":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/comments?post=713"}],"version-history":[{"count":5,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/713\/revisions"}],"predecessor-version":[{"id":912,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/713\/revisions\/912"}],"wp:attachment":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/media?parent=713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPALESTRA<\/strong> (manh\u00e3) – “Mem\u00f3rias”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Memories”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Memorias”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
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\nPALESTRA<\/strong> (manh\u00e3) – “Ir a ti: ra\u00edzes” com participa\u00e7\u00e3o especial de Denise Stoklos<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luiza Fillus (Irati, PR – Brasil), Edson Santos (Irati, PR – Brasil) e Denise Stoklos (Irati, PR – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Luiza Fillus (Irati, PR – Brazil), Edson Santos (Irati, PR – Brazil) and Denise Stoklos (Irati, PR – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Go to you: roots” with Denise Stoklos’ special participation<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luiza Fillus (Irati, PR \u2013 Brasil), Edson Santos (Irati, PR \u2013 Brasil), y Denise Stoklos (Irati, PR \u2013 Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Ir a ti: ra\u00edces” con la participaci\u00f3n especial de Denise Stoklos<\/span><\/p>\n
\n\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (manh\u00e3) – “Solo f\u00e9rtil, um m\u00e9todo poss\u00edvel” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Ricardo Castro (Salvador, BA – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Fertile Soil, a possible method”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Ricardo Castro (Salvador, BA – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Solo-F\u00e9rtil, un m\u00e9todo posible”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (manh\u00e3) – “Solo performance em tr\u00e2nsito por po\u00e9ticas latino-americanas” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Carolina Virg\u00dcez (Brazil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Solo performance in transit through Latin American poetics”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Carolina Virg\u00dcez (Brasil-Col\u00f4mbia)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Solo performance en tr\u00e1nsito por po\u00e9ticas latino-americanas”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (manh\u00e3) – “Processos criativos da solo performance no contexto da contemporaneidade” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Creative processes of solo performance in the context of contemporaneity”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Elias Andreato (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Procesos creativos del solo performance en el contexto de contemporaneidad”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff4\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\uddd7\ud835\udde2\ud835\udde0\ud835\udddc\ud835\udde1\ud835\uddda\ud835\udde2<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (manh\u00e3) – “#artistaDEFpresente” <\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “#artistDEFpresent”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Estela Lapponi (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “#artistaDEFpresente”<\/span><\/p>\n
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