[vc_row container=”1″][vc_column][vc_column_text] <\/p>\n
\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Tiago Cadete \u00e9 entrevistado sobre seus trabalhos que misturam linguagens h\u00edbridas entre as artes visuais e solo performance. O artista apresenta ao p\u00fablico an\u00e1lises de algumas de suas apresenta\u00e7\u00f5es realizadas em diversos pa\u00edses da Am\u00e9rica Latina e Europa. Em especial, ser\u00e3o abordadas reflex\u00f5es de seus \u00faltimos trabalhos, como \u201cCortejo\u201d (2022), \u201cBrasa\u201d (2021), \u201cFiume\u201d e “Cicerone” (2010).<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Seu trabalho transita nas fronteiras entre artes performativas e visuais. Doutorando em artes visuais EBA-UFRJ, onde \u00e9 mestre pela mesma institui\u00e7\u00e3o. Foi bolseiro da GDA-Gest\u00e3o dos Direitos dos Artistas na P\u00f3s Gradua\u00e7\u00e3o em Sistema Laban\/Bartenieff- Faculdade de dan\u00e7a Angel Vianna\/Laban. \u00c9 licenciado em Teatro pela Escola Superior de Teatro e Cinema. Transita entre Brasil e Portugal. Seus trabalhos j\u00e1 foram apresentados em diversos pa\u00edses, feiras de artes, museus e bienais.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Tiago Cadete is interviewed regarding his works that mingle hybrid languages between visual arts and solo performance. The artist presents to the public an analysis of some of his presentations held in several Latin America and Europe countries. Will mainly be addressed reflections from his latest works, such as \u201cCortege\u201d (2022), \u201cGleed\u201d (2021), \u201cMuvie\u201d, and \u201cCicerone\u201d (2010).<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Tiago Cadete es entrevistado sobre sus trabajos que mezclan lenguajes h\u00edbridos entre artes visuales y solo performance. El artista presenta al p\u00fablico an\u00e1lisis de algunas de sus presentaciones realizadas en diversos pa\u00edses de Am\u00e9rica Latina y Europa. En especial, ser\u00e1n tomadas reflexiones de sus \u00faltimos trabajos, como \u201cCortejo\u201d (2022), \u201cBrasa\u201d (2021), \u201cFiume\u201d y \u201cCicerone\u201d (2010).<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Omi Ariel, expoente da nova gera\u00e7\u00e3o de artistas experimentais do Chile, traz ao p\u00fablico algumas reflex\u00f5es sobre seu trabalho de videoarte e solo performance \u201cHallazgo\u201d. O p\u00fablico \u00e9 convidado a refletir algumas linguagens do cruzamento multi e transdisciplinar entre artes e ci\u00eancias sociais para performances desenvolvidas para redes sociais. A artista questiona os bin\u00f4mios colonialismo\/neocolonialismo, o \u201cproblema do \u00ednd\u00edgena\u201d e omiss\u00e3o da viol\u00eancia.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Solo performer e antrop\u00f3loga e cientista social da Universidad de Concepci\u00f3n (Chile). Bailarina de dan\u00e7a contempor\u00e2nea, participa de espet\u00e1culos e ministra oficinas no Espacio de Arte Nimiku. Tamb\u00e9m trabalha como pesquisadora de linguagem corporal e fez parte da equipe da plataforma DanzaSur como gestora cultural.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Omi Ariel, an exponent of the new generation of Chile\u00b4s experimental artists, brings to the public some reflections on her video artwork and solo performance \u201cHallazgo\u201d (\u201cDiscovery\u201d). The public is invited to reflect on some languages of the multi and transdisciplinary intersection between arts and social sciences into performances developed for social media. The artist questions the colonialism\/neocolonialism binomials, the \u201cindigenous problem\u201d and the omission of violence.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Omi Ariel, exponente de la nueva generaci\u00f3n de artistas experimentales de Chile, trae al p\u00fablico algunas reflexiones sobre su trabajo de videoarte y solo performance \u201cHallazgo\u201d. El p\u00fablico es invitado a reflexionar algunos lenguajes del cruzamiento multi y transdisciplinar entre artes y ciencias sociales para performances creadas en redes sociales. Ariel cuestiona los binomios colonialismo\/neocolonialismo, el \u201cproblema ind\u00edgena\u201d y omisi\u00f3n de violencia.<\/p>\n <\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A palestra aborda possibilidades de registro e cria\u00e7\u00e3o de mem\u00f3rias da cena contempor\u00e2nea, trazendo como exemplo o Projeto Carne Digital: Arquivo Eva Schul. Ser\u00e3o abordadas quest\u00f5es relativas \u00e0 documenta\u00e7\u00e3o, repert\u00f3rio, corpo como arquivo, uso das tecnologias e novos modos de registro do vivido. A artista e pesquisadora estimular\u00e1 ideias de como artistas de solo performance podem documentar seus trabalhos desdobrando po\u00e9ticas e experimentos audiovisuais em seus repert\u00f3rios.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Artista e professora de dan\u00e7a na gradua\u00e7\u00e3o e p\u00f3s-gradua\u00e7\u00e3o da Universidade Federal do Rio Grande do Sul. Professor Visitante na Coventry University\/Centre for Dance Research (C-DaRE\/Reino Unido). Foi Editora-Chefe da Revista Cena e atualmente \u00e9 Editora de se\u00e7\u00e3o da Movimento, Revista de Educa\u00e7\u00e3o F\u00edsica da UFRGS. Coordena o projeto Carne Digital: Arquivo Eva Schul, que recebeu o Pr\u00eamio A\u00e7orianos de Dan\u00e7a 2021 na categoria Mem\u00f3ria. Bailarina da Eduardo Severino Cia de Dan\u00e7a.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The lecture addresses possibilities for registering and creating memories of the contemporary scene, taking as an example the \u201cDigital Meet Project: Eva Schul Archive\u201d. Issues related to documentation, repertoire, the body as an archive, the use of technologies, and new ways of registering experiences will be addressed. The artist and researcher will stimulate ideas on how solo performance artists can document their work by unfolding poetics and audiovisual experiments in their repertoires.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> La ponencia trata posibilidades de registro y creaci\u00f3n de memorias de la escena contempor\u00e1nea, trayendo como ejemplo el Proyecto Carne Digital: Archivo Eva Schul. Ser\u00e1n tratadas cuestiones relativas a la documentaci\u00f3n, repertorio, cuerpo como archivo, uso de las tecnolog\u00edas y nuevos modos de registro vivido. La artista e investigadora estimular\u00e1 ideas de c\u00f3mo artistas de solo performance pueden documentar sus trabajos desplegando po\u00e9ticas y experimentos audiovisuales en sus repertorios.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Luiz Rufino traz ao p\u00fablico algumas reflex\u00f5es e provoca\u00e7\u00f5es sobre os sentidos de presen\u00e7a e aus\u00eancia da arte na sociedade contempor\u00e2nea. Alguns dos temas abordados s\u00e3o: projetos art\u00edsticos descoloniais, desnormatiza\u00e7\u00e3o dos sistemas comuns, campos pol\u00edticos de afetividade, corpos e po\u00e9ticas de liberdade, alargamento de tempos e fronteiras subjetivas, dentre outros.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Professor da Faculdade de Educa\u00e7\u00e3o da Baixada Fluminense (FEBF) da Universidade do Estado do Rio de Janeiro (UERJ) e do Programa de p\u00f3s-graduacao em Educa\u00e7\u00e3o, Cultura e Comunica\u00e7\u00e3o em Periferias Urbanas (PPGECC). Pesquisa e desenvolve seus livros e palestras sobre os seguintes temas: cr\u00edtica decolonial, antirracismo, processos de forma\u00e7\u00e3o em diferentes contextos educativos, processos identit\u00e1rios, outras pedagogias e educa\u00e7\u00f5es nas culturas populares.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Luiz Rufino brings to the public some reflections and provocations about the senses of presence and absence of art in contemporary society. Some of the topics covered are: decolonial artistic projects, de-norming of common systems, political fields of affectivity, bodies, and poetics of freedom, enlargement of times, and subjective borders, among others.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Luiz Rufino trae al p\u00fablico algunas reflexiones y provocaciones sobre los sentidos de presencia y ausencia del arte en la sociedad contempor\u00e1nea. Algunos de los temas tratados son: proyectos art\u00edsticos decoloniales, desnormalizaci\u00f3n de los sistemas comunes, campos pol\u00edticos de afectividad, cuerpos y po\u00e9ticas de libertad, alargamiento de tiempos y fronteras subjetivas, entre otros.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Vivi Tellas, importante diretora e curadora teatral de Buenos Aires, compartilhar\u00e1 suas experi\u00eancias em processos de cria\u00e7\u00e3o biodram\u00e1ticos e document\u00e1rios no campo da Solo Performance. A diretora desdobrar\u00e1 sobre os processos de cria\u00e7\u00e3o ao dirigir atores com base em suas mem\u00f3rias e experi\u00eancias pessoais, assim como a possibilidade de mistur\u00e1-las com camadas de autofic\u00e7\u00e3o.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Vivi Tellas \u00e9 curadora e diretora de teatro. Criadora do Biodrama, um g\u00eanero que investiga a biografia como material c\u00eanico. Em 2015 foi reconhecida como “Personalidade Destacada no \u00c2mbito da Cultura da Cidade de Buenos Aires”. Professora visitante da University of Princeton (EUA). Seus trabalhos j\u00e1 foram apresentados em toda a Am\u00e9rica Latina, EUA e Europa.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Vivi Tellas, major theater director and curator from Buenos Aires, will share her experiences in biodramatic and documentary creation processes in the field of Solo Performance. The director will unfold the creation processes when directing actors based on their memories and personal experiences, as well as the possibility of mixing them with layers of autofiction.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 14h \u00e0s 15h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Muitos artistas n\u00e3o gostam ou t\u00eam dificuldade de se produzir. Esta palestra pretende desmistificar que produzir \u00e9 complicado. A produ\u00e7\u00e3o precisa servir ao artista, facilitando as suas ideias. Para isso, Luque Daltrozo compartilhar\u00e1 suas experi\u00eancias profissionais pontuando caminhos poss\u00edveis para viabilizar modelos essenciais de produ\u00e7\u00e3o cultural para solos performers. O produtor contar\u00e1 tamb\u00e9m sobre algumas experi\u00eancias diretas ao produzir espet\u00e1culos do Teatro Essencial com Denise Stoklos.<\/p>\n s\u1d0f\u0299\u0280\u1d07:<\/strong> Produtor cultural desde 1982. J\u00e1 realizou in\u00fameros trabalhos com teatro, m\u00fasica, dan\u00e7a, literatura e televis\u00e3o. Trabalhou com importantes diretoras, como: Felipe Hirsch, Eric Lenate, Ulysses Cruz, Francisco Medeiros, Marcio Aur\u00e9lio, Daniela Thomas, dentre outros. Suas produ\u00e7\u00f5es j\u00e1 ocuparam prestigiosos espa\u00e7os culturais do Brasil e outros pa\u00edses. Foi produtor de espet\u00e1culos do Teatro Essencial, como “Extin\u00e7\u00e3o”, “As Palavras Gestuais” e “Vendo Gritos e Palavras”.<\/p>\n \u1d0d\u1d07\u1d05\u026a\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> Davi Giordano (S\u00e3o Paulo, SP – Brasil)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Many artists do not like or have difficulty producing themselves. This lecture intends to demystify that producing is complicated. Production needs to serve the artist, facilitating his ideas. For this, Luque Daltrozo will share his professional experiences pointing out possible ways to make essential models of cultural production viable for solo performers. The producer will also tell about some direct experiences when producing shows for Essential Theatre with Denise Stoklos.<\/p>\n [vc_row container=”1″][vc_column][vc_column_text] \ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4 \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f: das 14h \u00e0s 15h PALESTRA (tarde) – “Tr\u00e2nsitos: Brasil e Portugal” \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00: Tiago Cadete (Brasil-Portugal) s\u026a\u0274\u1d0f\u1d18s\u1d07: Tiago Cadete \u00e9 entrevistado sobre seus trabalhos que misturam linguagens h\u00edbridas entre as artes visuais e solo performance. O artista apresenta ao p\u00fablico an\u00e1lises de algumas de suas apresenta\u00e7\u00f5es realizadas em diversos pa\u00edses<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-visual_composer.php","meta":[],"_links":{"self":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/716"}],"collection":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/comments?post=716"}],"version-history":[{"count":5,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/716\/revisions"}],"predecessor-version":[{"id":913,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/716\/revisions\/913"}],"wp:attachment":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/media?parent=716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPALESTRA<\/strong> (tarde) – “Tr\u00e2nsitos: Brasil e Portugal”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Tiago Cadete (Brasil-Portugal)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Tiago Cadete (Brazil-Portugal)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Transits: Brazil and Portugal”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Tiago Cadete (Brasil-Portugal)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Tr\u00e1nsitos: Brasil y Portugal”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (tarde) – “Performances em tr\u00e2nsitos (reais e online) nas multi e transdisciplinaridades entre artes e ci\u00eancias sociais”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Omi Ariel (Chile)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Omi Ariel (Chile)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Transits: Brazil and Portugal”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Omi Ariel (Chile)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Performances en tr\u00e1nsitos (reales y online) en las multi y transdisciplinaridades entre artes y ciencias sociales”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (tarde) – “Arquivos digitais e mem\u00f3rias de cena”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Digital files and scene memories”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> M\u00f4nica Dantas (Porto Alegre, RS – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Archivos digitales y memorias de escena”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (tarde) – “Encantamento sobre possibilidades pol\u00edticas da arte”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Enchantment on the political possibilities of art”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luiz Rufino (Rio de Janeiro, RJ – Brasil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> PONENCIA – “Encantamiento sobre posibilidades pol\u00edticas del arte”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (tarde) – “Autobiografia na solo performance”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Vivi Tellas (Buenos Aires \u2013 Argentina)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Vivi Tellas (Buenos Aires – Argentina)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Autobiography in Solo Performance”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff4\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\uddd7\ud835\udde2\ud835\udde0\ud835\udddc\ud835\udde1\ud835\uddda\ud835\udde2<\/span><\/h4>\n
\n
\nPALESTRA<\/strong> (tarde) – “Caminhos essenciais para se produzir solos performances”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP \u2013 Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP \u2013 Brazil)<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> LECTURE – “Essential ways to produce solo performances”<\/span><\/p>\n
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