[vc_row container=”1″][vc_column][vc_column_text] <\/p>\n
\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Trata-se de uma viv\u00eancia online pr\u00e1tica de cria\u00e7\u00e3o de uma cena solo de at\u00e9 um minuto, a partir de exerc\u00edcios de processos em escritas e improvisa\u00e7\u00f5es. O objetivo \u00e9 estimular que os participantes construam uma estrutura dramat\u00fargica b\u00e1sica, integrada a propostas de movimentos e aplicativos digitais como dispositivos estimuladores para experimentos contempor\u00e2neos.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Wallace Dutra \u00e9 solo performer, disc\u00edpulo de Denise Stoklos desde 2016, e de Luis Louis desde 2020. Formado em dramaturgia pela Funda\u00e7\u00e3o das Artes de S\u00e3o Caetano do Sul e pela Escola Livre de Teatro de Santo Andr\u00e9. Sua dramaturgia “5.5” foi ganhadora do pr\u00eamio internacional Corredor Latinoamericano de Teatro. \u00c9 autor das pe\u00e7as “Cavalo-marinho” (formatura da FASCS), e “Meia-noite. Liberdade” (colet\u00e2nea da ELT).<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> This is a practical online experience of creating a solo scene of up to one minute, starting from exercises in writing processes and improvisations. The goal is to encourage participants to build a basic dramaturgical structure, integrated with motion proposals and digital applications as stimulating devices for contemporary experiments.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Se trata de una vivencia en l\u00ednea pr\u00e1ctica de creaci\u00f3n de una escena solo de hasta un minuto, desde ejercicios de procesos en escritas e improvisaciones. El objetivo es estimular que los participantes construyan una estructura dramat\u00fargica b\u00e1sica, integrada a propuestas de movimientos y aplicaciones digitales como dispositivos estimulantes para experimentos contempor\u00e1neos.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Os participantes s\u00e3o estimulados em sua criatividade a partir de jogos e exerc\u00edcios que ativam mem\u00f3rias afetivas por meio de experi\u00eancias sensoriais. Com isso, todos s\u00e3o convidados a criar uma dramaturgia por meios de procedimentos contempor\u00e2neos de colagens. Est\u00edmulos visuais, livre associa\u00e7\u00e3o de ideias e escrita criativa s\u00e3o alguns dos caminhos que se misturam e geram pot\u00eancia de fric\u00e7\u00f5es c\u00eanicas.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Teresa Costalima \u00e9 atriz, dramaturga e diretora teatral formada pela Escola de Teatro da UFBA. Dirigiu por 20 anos o Sitorne Est\u00fadio de Artes C\u00eanicas, escola especializada em forma\u00e7\u00e3o de atores, em Salvador \u2013 BA. Foi coordenadora do Projeto RETRATE – Interior com atua\u00e7\u00e3o em 24 munic\u00edpios no interior do estado. Nos \u00faltimos anos tem se dedicado a projetos para a forma\u00e7\u00e3o de plateias, como \u201cA\u00e7\u00e3o-Forma\u00e7\u00e3o\u201d e \u201cBairro-arte\u201d.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Participants are stimulated in their creativity through games and exercises that activate affective memories through sensory experiences. With this, everyone is invited to create a dramaturgy through contemporary collage procedures. Visual stimuli, free association of ideas and creative writing are some of the ways that mix and generate potency of scenic frictions.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Los participantes son estimulados en su creatividad desde juegos y ejercicios que activan memorias afectivas por medio de experiencias sensoriales. Con eso, todos son invitados a crear una dramaturgia por medio de procesos contempor\u00e1neos de pegado. Est\u00edmulos visuales, libre asociaci\u00f3n de ideas y escrita creativa son algunos caminos que se mezclan y generan potencia de fricciones esc\u00e9nicas.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> “Solo, Sim! Mon\u00f3logo, N\u00e3o.” tem suas bases nos processos criativos de Rita Clemente, que, a partir de suas experi\u00eancias como atriz, diretora e pesquisadora, tem desenvolvido ferramentas pr\u00e1ticas e te\u00f3ricas acerca da cria\u00e7\u00e3o e composi\u00e7\u00e3o de obras c\u00eanicas. Os participantes s\u00e3o convidados a pesquisar o deslocamento de uma narrativa direta e monol\u00f3gica em dire\u00e7\u00e3o a um constru\u00e7\u00e3o de um solo que admita interlocu\u00e7\u00f5es expandidas e dial\u00f3gicas.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Atriz, diretora e pesquisadora mineira, com vasta experi\u00eancia em teatro e incurs\u00f5es em televis\u00e3o e cinema, sendo reconhecida por sua pesquisa acerca das possibilidades de di\u00e1logo entre teatro, m\u00fasica, cinema, artes pl\u00e1sticas e dramaturgia de cena. Premiada em Minas, SP e Rio como diretora, atriz e figurinista. Diretora art\u00edstica da Clementtina Plataforma de Cria\u00e7\u00e3o, orienta artistas da cena em suas montagens, desenvolvendo , no seu pr\u00f3prio est\u00fadio, processos criativos solo.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 15 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> “Solo, Yes! Monologue, N\u00e3o” is based on the creative processes of Rita Clemente, who, based on her experiences as an actress, director, and researcher, has developed practical and theoretical tools regarding the creation and composition of scenic works. Participants are invited to research the displacement of a direct and monologic narrative towards the construction of a solo that admits expanded and dialogic interlocutions.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> \u201c\u00a1S\u00f3lo, S\u00ed! Mon\u00f3logo, No\u201d tiene sus bases en los procesos creativos de Rita Clemente, que, desde sus experiencias como actriz, directora e investigadora, ha desarrollado herramientas pr\u00e1cticas y te\u00f3ricas sobre la creaci\u00f3n y composici\u00f3n de obras esc\u00e9nicas. Los participantes son invitados a investigar sobre el desplazamiento de una narrativa directa y monol\u00f3gica en direcci\u00f3n a una construcci\u00f3n de un solo que admita interlocuciones expandidas y dial\u00f3gicas.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Como traduzir, escrever ou trans\/crever corpo em dramaturgia? A oficina estimula o exerc\u00edcio de t\u00e9cnicas dramat\u00fargicas e pr\u00e1ticas metodol\u00f3gicas r\u00e1pidas para a cria\u00e7\u00e3o de um texto teatral perform\u00e1tico. O conceito de texto aqui est\u00e1 associado ao corpo e suas m\u00faltiplas formas de express\u00e3o e n\u00e3o necessariamente \u00e0 palavra e suas formas de escrita. Os participantes vivenciar\u00e3o processos de depoimento pessoal e escrita autom\u00e1tica como impulsionadores criativos da autoperformance.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Morgana Ol\u00edvia Manfrin \u00e9 doutoranda em Artes C\u00eanicas pela USP. \u00c9 dramaturga, performer, atriz, diretora, arte educadora e pedagoga de g\u00eanero. \u00c9 formada em Artes C\u00eanicas e Interpreta\u00e7\u00e3o Teatral pela UnB e Dire\u00e7\u00e3o Teatral pela UFBA. Desenvolve a pesquisa \u201cPr\u00e1xis Queer da cena: Percurso de corpos travestig\u00eaneres e trans n\u00e3o Bin\u00e1rios nas artes c\u00eanicas contempor\u00e2neas brasileiras\u201d. Possui uma s\u00e9rie de obras solos autobiogr\u00e1ficas e performativas.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> How to translate, write, or trans\/scribe body into dramaturgy? The workshop encourages the exercise of dramaturgical techniques and quick methodological practices for the creation of a performative theatrical text. The concept of text here is associated with the body and its multiple forms of expression and not necessarily with the word and its forms of writing. Participants will experience processes of personal testimony and automatic writing as creative drivers of self-performance.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> C\u00f3mo traducir, escribir o trans\/cribir cuerpo en dramaturgia? El taller estimula el ejercicio de t\u00e9cnicas dramat\u00fargicas y pr\u00e1cticas metodol\u00f3gicas r\u00e1pidas para la creaci\u00f3n de un texto teatral perform\u00e1tico. El concepto de texto aqu\u00ed est\u00e1 asociado al cuerpo y sus m\u00faltiples formas de expresi\u00f3n y no necesariamente a la palabra y sus formas de escrita. Los participantes vivir\u00e1n procesos de testimonio personal y escrita autom\u00e1tica como impulsores creativos del autoperformance.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A oficina estimula um vi\u00e9s cr\u00edtico e provocativo para transformar inc\u00f4modos diversos em po\u00e9ticas c\u00eanicas e solos performances. Os participantes s\u00e3o convidados a trabalhar sobre seus questionamentos de mundo como estimuladores de pot\u00eancias cr\u00edticas e mobilizadoras por meio da arte.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Marcos Americano \u00e9 ator, diretor e autor . Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The workshop encourages a critical and provocative approach to transforming diverse annoyances into scenic poetics and solo performances. Participants are invited to work on their questioning of the world as stimulators of critical and mobilizing powers through art.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El taller estimula un lado cr\u00edtico y provocante para transformar molestias diversas en po\u00e9ticas esc\u00e9nicas y solos performances. Los participantes son invitados a trabajar sobre sus cuestionamientos del mundo como estimulantes de potencias cr\u00edticas y movilizadoras por medio del arte.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> A oficina \u201cSolos de casas \u2018Dendicasa\u2019\u201d \u00e9 direcionada para artistas da cena, interessados em experimentar caminhos de linguagem em dan\u00e7a-teatro e v\u00eddeo performance, que buscam conceber experimentos audiovisuais de performances criadas em ambientes dom\u00e9sticos. A proposta \u00e9 pesquisar novas possibilidades das artes c\u00eanicas em di\u00e1logo com as mudan\u00e7as sociais e tecnol\u00f3gicas que foram afetadas pelo contexto da Covid-19. Os participantes s\u00e3o desenvolver\u00e3o uma cria\u00e7\u00e3o f\u00edlmica em tempo real.<\/p>\n s\u1d0f\u0299\u0280\u1d07 \u1d0b\u1d00\u1d05\u1d1c \u0493\u0280\u1d00\u0262\u1d0fs\u1d0f: <\/strong>Kadu Fragoso \u00e9 performer e professor de teatro e dan\u00e7a. Pesquisador de p\u00f3s-gradua\u00e7\u00e3o em estudos contempor\u00e2neos nas artes c\u00eanicas pela UFBA. Diretor Art\u00edstico do Coletivo INvent\u00e1rios. Professor do Centro Universit\u00e1rio de Cultura e Arte\u2013UEFS e Centro de Cultura Maestro Miro \u2013 Funda\u00e7\u00e3o Egberto Costa. Seus trabalhos exploram as expans\u00f5es das linguagens h\u00edbridas e dos modelos n\u00e3o convencionais.<\/p>\n s\u1d0f\u0299\u0280\u1d07 \u026a\u1d00\u0274\u1d04\u1d00 \u1d0f\u029f\u026a\u1d20\u1d07\u026a\u0280\u1d00: <\/strong>Formada em Cinema e Audiovisual pela Universidade Federal do Rec\u00f4ncavo da Bahi. Participou do Programa de Educa\u00e7\u00e3o Tutorial PET – Cinema entre os anos de 2018 a 2021. Em 2019, trabalhou na curadoria do Cine Virada. Criadora da Pavio Curto Produ\u00e7\u00f5es, onde desenvolve o projeto de um filme por m\u00eas durante a pandemia do Covid-19. Atualmente atua como diretora, performer, montadora, roteirista, produtora e videomaker em produ\u00e7\u00f5es independentes.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> 20 participantes (demais vagas como ouvintes)<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> The workshop \u201cSolos of houses \u00b4Indahouse\u00b4 is focused on artists from the scene, interested in experimenting with language paths in dance-theater and video performance, who seek to conceive audiovisual experiments of performances created in domestic environments. The proposal is to research new possibilities of the performing arts in dialogue with the social and technological changes that were affected by the context of Covid-19. Participants are to develop a film creation in real-time.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> El taller \u201cSolos de casas \u201cDendicasa\u201d\/\u201dDentrodecasa\u201d es direccionada a artistas de escena, interesados en experimentar caminos de lenguaje en danza-teatro y video performance, que buscan concebir experimentos audiovisuales de performances creadas en ambientes dom\u00e9sticos. La propuesta es investigar nuevas posibilidades de artes esc\u00e9nicas en di\u00e1logo con los cambios sociales y tecnol\u00f3gicos que fueron afectados por el contexto de la Covid-19. Los participantes desarrollar\u00e1n una creaci\u00f3n f\u00edlmica en tiempo real.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 15h \u00e0s 17h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Uma breve e pr\u00e1tica abordagem de produ\u00e7\u00e3o cultural para solo performance, buscando caminhos de facilita\u00e7\u00e3o, viabiliza\u00e7\u00e3o e propaga\u00e7\u00e3o dessa linguagem art\u00edstica. Os participantes receber\u00e3o dicas e sugest\u00f5es de como conduzir a realiza\u00e7\u00e3o do trabalho de produ\u00e7\u00e3o em prol do criador da obra. O ministrante compartilhar\u00e1 caminhos poss\u00edveis para que o artista solo e perform\u00e1tico possa produzir o seu pr\u00f3prio trabalho.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Produtor cultural desde 1982. J\u00e1 realizou in\u00fameros trabalhos com teatro, m\u00fasica, dan\u00e7a, literatura e televis\u00e3o. Trabalhou com importantes diretoras, como: Felipe Hirsch, Eric Lenate, Ulysses Cruz, Francisco Medeiros, Marcio Aur\u00e9lio, Daniela Thomas, dentre outros. Suas produ\u00e7\u00f5es j\u00e1 ocuparam prestigiosos espa\u00e7os culturais do Brasil e outros pa\u00edses. Foi produtor de espet\u00e1culos do Teatro Essencial, como “Extin\u00e7\u00e3o”, “As Palavras Gestuais” e “Vendo Gritos e Palavras”.<\/p>\n \u029f\u026a\u1d0d\u026a\u1d1b\u1d07 \u1d05\u1d07 \u1d18\u1d00\u0280\u1d1b\u026a\u1d04\u026a\u1d18\u1d00\u0274\u1d1b\u1d07s:<\/strong> XXXX<\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> A brief and practical approach to cultural production for solo performance, seeking ways to facilitate, enable and propagate this artistic language. Participants will receive tips and suggestions on how to conduct the production work on behalf of the creator of the work. The minister will share possible ways for solo and performance artists to produce their own work.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Una breve y pr\u00e1ctica abordaje de producci\u00f3n cultural para solo performance, buscando caminos de facilitaci\u00f3n, viabilidad y propagaci\u00f3n de ese lenguaje art\u00edstico. Los participantes recibir\u00e1n consejos y sugerencias de c\u00f3mo conducir la realizaci\u00f3n del trabajo de producci\u00f3n en beneficio del creador de la obra. El ministrante compartir\u00e1 caminos posibles para que el artista solo y perform\u00e1tico pueda producir su propio trabajo.<\/p>\n [vc_row container=”1″][vc_column][vc_column_text] \ud835\udfec\ud835\udfee\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddda\ud835\udde8\ud835\udde1\ud835\uddd7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4 \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f: das 15h \u00e0s 17h OFICINA – “Dramaturgias para solo performance com experimentos digitais contempor\u00e2neos” \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s: Wallace Dutra (S\u00e3o Paulo, SP – Brasil) + diversos s\u026a\u0274\u1d0f\u1d18s\u1d07: Trata-se de uma viv\u00eancia online pr\u00e1tica de cria\u00e7\u00e3o de uma cena solo de at\u00e9 um minuto, a partir de exerc\u00edcios de processos em escritas<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"tpl-visual_composer.php","meta":[],"_links":{"self":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/722"}],"collection":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/comments?post=722"}],"version-history":[{"count":5,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/722\/revisions"}],"predecessor-version":[{"id":909,"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/pages\/722\/revisions\/909"}],"wp:attachment":[{"href":"https:\/\/fidsfestival.com\/wp-json\/wp\/v2\/media?parent=722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nOFICINA<\/strong> – “Dramaturgias para solo performance com experimentos digitais contempor\u00e2neos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brasil) + diversos<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brazil) + several<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgy Workshop for solo performance with contemporary digital experiments”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP \u2013 Brasil) + diversos<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dramaturgias para solo performance con experimentos digitales contempor\u00e1neos”<\/span><\/p>\n
\n\ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Cria\u00e7\u00e3o dramat\u00fargica por meio de colagem e est\u00edmulos criativos m\u00faltiplos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Teresa Costalima (Salvador, Bahia – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Teresa Costalima (Salvador, Bahia – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgical Creation Workshop through collage and multiple creative stimuli”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Teresa Costalima (Salvador, Bahia – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Creaci\u00f3n dramat\u00fargica por medio de pegado y est\u00edmulos creativos m\u00faltiples.”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Solo, Sim! Mon\u00f3logo, N\u00e3o.”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Rita Clemente (Belo Horizonte, MG – Brasil)
\n<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Rita Clemente (Belo Horizonte, MG – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Solo, Yes, Monologue, No”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Rita Clemente (Belo Horizonte, MG – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “\u00a1S\u00f3lo, S\u00ed! Mon\u00f3logo, No”.<\/span><\/p>\n
\n\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Dramaturgia, performance e t\u00e9cnicas para um corpo-dramat\u00fargico”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Dramaturgy, performance, and techniques for a dramaturgical body”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Morgana Ol\u00edvia Manfrin (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dramaturgia, performance y t\u00e9cnicas para un cuerpo-dramat\u00fargico”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Inc\u00f4modos Essenciais (vidas que desejam ‘AMOR & LIBERDADE’)”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Essential Annoyances (lives that desire ‘LOVE & FREEDOM’)”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Molestias Esenciales (vidas que desean \u2018AMOR & LIBERTAD\u2019)”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Dendincasa”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Kadu Fragoso (Salvador, Bahia – Brasil) + Ianca Oliveira (Santo Amaro, Bahia – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Kadu Fragoso (Salvador, Bahia – Brazil) and Ianca Oliveira (Santo Amaro, Bahia – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Indahouse”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Kadu Fragoso (Salvador, Bahia – Brasil) y Ianca Oliveira (Santo Amaro, Bahia – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Dendicasa\/Dentrodecasa”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff4\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\uddd7\ud835\udde2\ud835\udde0\ud835\udddc\ud835\udde1\ud835\uddda\ud835\udde2<\/span><\/h4>\n
\n
\nOFICINA<\/strong> – “Oficina de produ\u00e7\u00e3o cultural para solo performance”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brasil)<\/span><\/p>\n
\n\u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> livre<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brazil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> WORKSHOP – “Cultural production workshop for solo performance”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00:<\/strong> Luque Daltrozo (S\u00e3o Paulo, SP – Brasil)<\/span>
\n\u0280\u1d07\u1d00\u029f\u026a\u1d22\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> TALLER – “Producci\u00f3n cultural para solo performance”<\/span><\/p>\n
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