[vc_row container=”1″][vc_column][vc_column_text] <\/p>\n
\u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> No solo, o ator Marcos Americano entrela\u00e7a a literatura de Machado de Assis com fragmentos de v\u00eddeos curtos. Os procedimentos de fus\u00e3o de m\u00faltiplas imagens proporcionam camadas de recria\u00e7\u00e3o da literatura, das palavras e das met\u00e1foras propostas pelas obras diversas de Machado de Assis com vi\u00e9s de contemporaneidade.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Marcos Americano \u00e9 ator, diretor e autor . Criou o solo “Dia dos Loucos”, reconhecido por Denise Stoklos como um trabalho pertinente aos princ\u00edpios do Teatro Essencial. Estreou recentemente “Felicidade” no Sesc Copacabana. No momento, finaliza a dramaturgia do solo “Eu sou Machado de Assis”.<\/p>\n \u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n Cris Rezende<\/strong> (S\u00e3o Paulo, SP) | “Viol\u00eancia dom\u00e9stica” [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Solo performance audiovisual experiments by participants from all over Brazil and abroad. The first day of the Exhibition opens with the solo “I am Machado de Assis”, by Marcos Americano.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El primer d\u00eda de Muestra es abierta con el solo \u201cYo soy Machado de Assis\u201d, de Marcos Americano.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O segundo dia da Mostra \u00e9 aberto com o solo “Demos”, de Luca Lima. “Demos” \u00e9 uma fala-fluxo, uma fala-rio, que inunda, encharca, se estreita e se expande e des\u00e1gua, por fim. Um corpo inaugura essa fala atormentado por uma sociedade \u00e0 beira do colapso. Esse discurso, por assim dizer, n\u00e3o pretende responder a nada mas, como os peixes, mergulhar fundo quando as correntezas se mostrarem perigosas.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Luca Lima \u00e9 solo performer que investiga as inquieta\u00e7\u00f5es po\u00e9ticas por meio da cena. \u00c9 um estudioso da pr\u00e1xis do Teatro Essencial desde adolescente e estudante de gradua\u00e7\u00e3o em Artes C\u00eanicas pela Universidade de Bras\u00edlia (UnB). Tamb\u00e9m encontrou na proposta da M\u00edmica Total de Lu\u00eds Louis espa\u00e7o para desenvolver sua cria\u00e7\u00e3o. Seu espet\u00e1culo \u201cDemos\u201d marca o in\u00edcio de sua pesquisa em solo performance e j\u00e1 foi apresentado em diferentes vers\u00f5es e formatos desde 2018. Para o FIDS, o performer aposta numa nova vers\u00e3o do trabalho, mais concisa e densa.<\/p>\n \u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n Carol Cony<\/strong> (Rio de Janeiro, RJ) | “Desmoronamento da vontade” <\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The second day of the Exhibition opens with the solo “Demos”, by Luca Lima. “Demos” is a flow-speech, a river-speech, which floods, soaks, narrows, and expands and, finally, debouches. A body inaugurates this speech tormented by a society on the verge of collapse. The discourse, so to speak, is not intended to respond to anything but, like fish, to dive deep when the currents prove dangerous.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El segundo d\u00eda de la Muestra es abierto con el solo \u201cDemos\u201d, de Luca Lima. “Demos” es un discurso-flujo, un discurso-r\u00edo, que inunda, moja, se encoge y se expande y desagua, por fin. Un cuerpo inaugura ese discurso atormentado por una sociedad bajo colapso. Ese discurso, por as\u00ed decir, no pretende responder a nada, pero, como peces, bucean fondo cuando las corrientes se muestran peligrosas.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O terceiro dia da Mostra \u00e9 aberto com o solo “O inferno \u00e9 um espelho da borda laranja”, de Wander B. Uma pessoa que n\u00e3o dorme, dentro de uma madrugada sem fim, vive sua jornada em dire\u00e7\u00e3o ao inferno \u2014 e o inferno (por incr\u00edvel que pare\u00e7a!) n\u00e3o s\u00e3o os outros, como pensava Sartre, mas um velho espelho da borda laranja.<\/p>\n s\u1d0f\u0299\u0280\u1d07: <\/strong>Wander B. \u00e9 um artista da palavra, da m\u00fasica e do gesto. Seus trabalhos e pe\u00e7as e de solo performance transitam entre as linguagens do teatro, do cinema, da performance art, da m\u00fasica e da literatura. Desenvolve trabalhos em espa\u00e7os p\u00fablicos, adaptando suas cria\u00e7\u00f5es para formatos variados.<\/p>\n \u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 16 anos<\/span><\/p>\n \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n Carol Gigante<\/strong> (Volta Redonda, RJ) | “Aperte F5: saia da janela” <\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The third day of the Exhibition opens with the solo “Hell is a mirror of the orange edge”, by Wander B. A person who does not sleep, within an endless dawn, lives his journey towards hell \u2014 and hell (as incredible as it may seem!) is not other people, as Sartre thought, but an old mirror with an orange edge.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El tercer d\u00eda de la Muestra es abierto con el solo \u201cEl infierno es un espejo de borde naranja\u201d, de Wander B. Una persona que no duerme, dentro de una madrugada sin fin, vive su jornada en direcci\u00f3n al infierno \u2013 y el infierno (\u00a1por m\u00e1s incre\u00edble que parezca!) no son los otros, como pensaba Sartre, pero un viejo espejo de borde naranja.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O quarto dia da Mostra \u00e9 aberto com o solo “Comit\u00ea do sonho – [work in progress love de \u2018(seja realista) pe\u00e7a o imposs\u00edvel\u2019]”, de Wallace Dutra. s\u1d0f\u0299\u0280\u1d07: <\/strong>Wallace Dutra \u00e9 solo performer, disc\u00edpulo de Denise Stoklos desde 2016, e de Luis Louis desde 2020. Formado em dramaturgia pela Funda\u00e7\u00e3o das Artes de S\u00e3o Caetano do Sul e pela Escola Livre de Teatro de Santo Andr\u00e9. Sua dramaturgia “5.5” foi ganhadora do pr\u00eamio internacional Corredor Latinoamericano de Teatro. \u00c9 autor das pe\u00e7as “Cavalo-marinho” (formatura da FASCS), e “Meia-noite. Liberdade” (colet\u00e2nea da ELT).<\/p>\n \u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n Cleide Vilela<\/strong> (Bras\u00edlia, DF) | “Pode vir, estou te esperando” <\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The fourth day of the Exhibition opens with the solo “Dream Committee – [work in progress love of ‘(be realistic) ask for the impossible’]”, by Wallace Dutra. Inspired by the concept of the theater of friction, the experiment stresses the relationship between dramaturgy and anarchy, physical theater and screen, skin and projection, among others. The theme is part of the artist’s research on contemporary and identity movements – from beatniks, hippies, and tropicalists, to punks and clubbers. The scene expands in the atmosphere of the 1968 counterculture where dream and reality are mixed in a creative process.<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentos audiovisuales de solos performances de participantes de todo Brasil y del mundo. El cuarto d\u00eda de la Muestra es abierto con el solo \u201cComit\u00e9 del sue\u00f1o \u2013 [work in progress love de \u2018(sea realista) pida el imposible\u2019]\u201d, de Wallace Dutra. Inspirada en el concepto teatro de fricci\u00f3n, el experimento tensiona las relaciones entre dramaturgia y anarqu\u00eda, teatro f\u00edsico y pantalla, piel y proyecci\u00f3n, entre otros. La tem\u00e1tica hace parte de la investigaci\u00f3n del artista sobre movimientos contempor\u00e1neos y de identidad \u2013 de los beatniks, hippies y tropicalistas de 1968 donde sue\u00f1o y realidad se mezclan en un proceso creativo.<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span> s\u026a\u0274\u1d0f\u1d18s\u1d07:<\/strong> Experimentos audiovisuais de solos performances de participantes de todo o Brasil e do mundo. O quinto dia da Mostra \u00e9 aberto com o solo “Absurdo poder\u2026Transforma\u00e7\u00e3o”, de Perla Tarello. s\u1d0f\u0299\u0280\u1d07: <\/strong>Artista e terapeuta. Pr\u00e1tica teatro desde crian\u00e7a. Em seus trabalhos, exp\u00f5e camadas de humor, fic\u00e7\u00e3o e mem\u00f3rias pessoais, transitando entre linguagens como o teatro, a dan\u00e7a, a fotografia, a acrobacia, a m\u00edmica, o figurino e a constru\u00e7\u00e3o de m\u00e1scaras, dentre outros. Seus trabalhos s\u00e3o marcados por provoca\u00e7\u00f5es, questionamentos cr\u00edticos e humor sat\u00edrico contempor\u00e2neo. A artista \u00e9 marca de uma gera\u00e7\u00e3o dos artistas vanguardistas de Buenos Aires.<\/p>\n \u1d04\u029f\u1d00ss\u026a\u0493\u026a\u1d04\u1d00\u1d04\u0327\u1d00\u0303\u1d0f:<\/strong> 18 anos<\/span><\/p>\n \u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s \u1d05\u026a\u1d20\u1d07\u0280s\u1d0fs \u1d07 \u1d18\u1d07\u0280\u0493\u1d0f\u0280\u1d0d\u1d00\u0274\u1d04\u1d07s:<\/strong><\/span><\/p>\n Cristiana Nogueira<\/strong> (Rio de Janeiro, RJ) | “Dilacerar a cor” <\/span> [\u1d07\u0274]<\/span> s\u028f\u0274\u1d0f\u1d18s\u026as:<\/strong> Audiovisual experiments of solo performances by participants from all over Brazil and abroad. The fifth day of the Exhibition opens with the solo “Absurd power\u2026Transformation”, by Perla Tarello. The audiovisual experiment is divided into two parts. The first one exposes the abuse of power in politics based on the repetition of promises and lies, on empty speeches, on the voice of a vertical truth. The second one reveals the possible transformation of politics through game, idleness, and knowledge, the last one being symbolized by an apple (from the tree of knowledge).<\/p>\n [\u1d07s]<\/span> s\u026a\u0274\u1d0f\u1d18s\u026as:<\/strong> Experimentaciones audiovisuales de solos performances de participantes de todo Brasil y del mundo. El quinto d\u00eda de la Muestra es abierto con el solo \u201cAbsurdo poder\u2026 Transformaci\u00f3n\u201d, de Perla Tarello. El experimento audiovisual est\u00e1 dividido en dos partes. La primera expone el abuso del poder en la pol\u00edtica con base en la repetici\u00f3n de las promesas y mentiras, en los discursos de palabras vac\u00edas, en la voz de una verdad vertical. La segunda revela la posible transformaci\u00f3n pol\u00edtica por medio del juego, del ocio y del conocimiento, este \u00faltimo siendo simbolizado por una manzana (del \u00e1rbol del conocimiento).<\/p>\n \u029c\u1d0f\u0280\u1d00\u0301\u0280\u026a\u1d0f:<\/strong> das 17h \u00e0s 18h<\/span>
\nSOLO PERFORMANCE<\/strong> – “Experimenta\u00e7\u00e3o e processo”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brasil) + artistas diversos<\/span><\/p>\n
\nDavi Giordano <\/strong>(S\u00e3o Paulo, SP) | “The body wants a little bit of sun of Vi\u00f1a del Mar”
\nFernando Lopes <\/strong>(Santo Andr\u00e9, SP) | “A flor da pele”
\nGabriela Flores <\/strong>(S\u00e3o Paulo, SP) | “Selva ecoa Medeia”
\nIsabelle Gusm\u00e3o <\/strong>(Recife, PE) | “Ice Crime – This is an ice cream advert”
\nLiane Roditi<\/strong> (Rio de Janeiro, RJ) | “Fra\u00e7\u00e3o”
\nLucio Lima Jr. <\/strong>(S\u00e3o Paulo, SP) | “Para que poesia em tempos de pandemia?”
\nMarcia Fixel <\/strong>(Rio de Janeiro, RJ) | “Rosa dos Ventos”
\nMarco Antonio Moreira <\/strong>(S\u00e3o Paulo, SP) | “Abra\u00e7o \u00e0 dist\u00e2ncia”
\nMarcos Davi<\/strong> (Bras\u00edlia, DF) | “O p\u00e3o do povo”
\nNina da Costa Reis<\/strong> (Rio de Janeiro, RJ) | “Um Sonho Intenso”
\nOlivia Olivia <\/strong>(S\u00e3o Paulo, SP) | “Cabra”
\nPriscila Queiroz<\/strong> (Fortaleza, CE) | “Varrida”
\nPriscila Rosa <\/strong>(Porto Alegre, RS) | “Corpo Capsular”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Marcos Americano (Rio de Janeiro, RJ – Brazil) + diverse artists<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Experimentation and Process”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Marcos Americano (Rio de Janeiro, RJ \u2013 Brasil) + artistas diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Experimentaci\u00f3n y proceso”<\/span><\/p>\n
\n\ud835\udfec\ud835\udfef\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde7\ud835\uddd8\ud835\udde5\ud835\uddd6\u0327\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nSOLO PERFORMANCE<\/strong> – “Demos”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luca Lima (Bras\u00edlia, DF – Brasil) + artistas diversos<\/span><\/p>\n
\nFelipe Cremonini<\/strong> (Sant’ana do Livramento, RS) | “Regi\u00e3o desconhecida” <\/span>
\nFernanda Paix\u00e3o<\/strong> (Rio de Janeiro, RJ) | “Just married” <\/span>
\nGean Alves<\/strong> (Rio de Janeiro, RJ) | “Linha Vermelha” <\/span>
\nLuci Savassa<\/strong> (S\u00e3o Paulo, SP) | “Lim\u00edtrofe” <\/span>
\nMarco Antonio Moreira<\/strong> (S\u00e3o Paulo, SP) | “Antes solo do que mal interpretado” <\/span>
\nMingo<\/strong> (Bras\u00edlia, DF) | “Beijo da Lua” <\/span>
\nPriscila Rosa<\/strong> (Porto Alegre, RS) | “Por entre n\u00f3s”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Luca Lima (Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Experimentation and Process”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Luca Lima (Bras\u00edlia, DF – Brasil) + artistas diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Experimentaci\u00f3n y proceso”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff0\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\uddd4\ud835\udde5\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nSOLO PERFORMANCE<\/strong> – “O inferno \u00e9 um espelho da borda laranja”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wander B. (Barra Bonita, SP – Brasil) + diversos<\/span><\/p>\n
\nJos\u00e9 Elias<\/strong> (Ass\u00fa, RN) | “Homenagem aos Professores” <\/span>
\nMarcia Fixel<\/strong> (Rio de Janeiro, RJ) | “A mulher \u00e1rvore” <\/span>
\nMingo<\/strong> (Bras\u00edlia, DF) | “Plano de Voo” <\/span>
\nNina da Costa Reis<\/strong> (Rio de Janeiro, RJ) | “G\u00eanesis 1 Eva”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wander B. (Barra Bonita, SP – Brazil) + various<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Hell is a mirror with an orange edge”<\/span><\/p>\n
\n
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wander B. (Barra Bonita, SP \u2013 Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “El Infierno es un Espejo de Borde Naranja”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff1\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde4\ud835\udde8\ud835\udddc\ud835\udde1\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
\n
\nSOLO PERFORMANCE<\/strong> – “Comit\u00ea do sonho – [work in progress love de \u2018(seja realista) pe\u00e7a o imposs\u00edvel\u2019]”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brasil) + diversos<\/span><\/p>\n
\nInspirada no conceito teatro de fric\u00e7\u00e3o, o experimento tensiona as rela\u00e7\u00f5es entre dramaturgia e anarquia, teatro f\u00edsico e tela, pele e proje\u00e7\u00e3o, dentre outros. A tem\u00e1tica faz parte da pesquisa do artista sobre movimentos contempor\u00e2neos e identit\u00e1rios – dos beatniks, hippies e tropicalistas, aos punks e clubbers. A cena se expande na atmosfera da contracultura de 1968 onde sonho e se realidade se misturam num processo criativo.<\/p>\n
\nMaria Lucas<\/strong> (Rio de Janeiro, RJ) | “Nina”<\/span>
\nMirelle Freitas<\/strong> (Fortaleza, CE) | “Fronteiras”<\/span>
\nMonalisa Silva<\/strong> (S\u00e3o Paulo, SP) | “Os Silva da Am\u00e9rica do Sul”<\/span>
\nTina Andriguetti<\/strong> (Caxias, RS) | “Aos peda\u00e7os”<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP – Brazil) + several<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Dream Committee – [work in progress love of ‘(be realistic) ask for the impossible’]”<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Wallace Dutra (S\u00e3o Paulo, SP \u2013 Brasil) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Comit\u00e9 del sue\u00f1o \u2013 [work in progress love de \u2018(sea realista) pida el imposible\u2019]”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff2\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd8\ud835\uddeb\ud835\udde7\ud835\uddd4-\ud835\uddd9\ud835\uddd8\ud835\udddc\ud835\udde5\ud835\uddd4<\/span><\/h4>\n
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\nSOLO PERFORMANCE<\/strong> – “Absurdo poder\u2026 Transformac\u00e3o”<\/span>
\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Perla Tarello (Buenos Aires, Argentina) + diversos<\/span><\/p>\n
\nO experimento audiovisual est\u00e1 dividido em duas partes. A primeira exp\u00f5e o abuso do poder na pol\u00edtica com base na repeti\u00e7\u00e3o das promessas e mentiras, nos discursos de palavras vazias, na voz de uma verdade vertical. A segunda revela a poss\u00edvel transforma\u00e7\u00e3o da pol\u00edtico por meio do jogo, do \u00f3cio e do conhecimento, este \u00faltimo sendo simbolizado por uma ma\u00e7\u00e3 (da \u00e1rvore do conhecimento).<\/p>\n
\nEmerson M.<\/strong> | “Ovo de Clarice” <\/span>
\nKadu Fragoso<\/strong> (Lauro de Freitas, BA) | “Solos INvencionistas em CASA: Disritimia” <\/span>
\nPatricia Azevedo<\/strong> (Toronto, Canad\u00e1) | “Tropical body” <\/span>
\nRafael Bulh\u00f5es<\/strong> (Salvador, BA) | “Devir Gazela” <\/span>
\nRebeca Tadiello<\/strong> (S\u00e3o Paulo, SP) | “Ensaios sobre um triz” <\/span>
\nSandra Woo<\/strong> (S\u00e3o Paulo, SP) | “Planeta \u00e1gua” <\/span>
\nUltra Martini<\/strong> (S\u00e3o Paulo, SP) | “Stanislovesme”<\/span><\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1bs:<\/strong> Perla Tarello (Buenos Aires, Argentina) + various<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d1b\u026a\u1d0f\u0274:<\/strong> SOLO PERFORMANCE SHOWCASE – “Absurd power\u2026 Transformation”<\/span><\/p>\n
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\n\u1d00\u0280\u1d1b\u026as\u1d1b\u1d00s:<\/strong> Perla Tarello (Buenos Aires, Argentina) + diversos<\/span>
\n\u1d18\u0280\u1d07s\u1d07\u0274\u1d1b\u1d00\u1d04\u026a\u1d0f\u0301\u0274:<\/strong> MUESTRA DE SOLO PERFORMANCE – “Absurdo poder\u2026 Transformaci\u00f3n”<\/span><\/p>\n
\n\ud835\udfec\ud835\udff3\/\ud835\udfec\ud835\udff1\/\ud835\udfee\ud835\udfee \u2022 \ud835\udde6\ud835\uddd4\u0301\ud835\uddd5\ud835\uddd4\ud835\uddd7\ud835\udde2<\/span><\/h4>\n
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\nSOLO PERFORMANCE<\/strong> – “Sonhagora”<\/span>